Class "A" solid state vs. Tube amp.?

Like the above posts, I have had similiar experiences. I have been involved in and around music all my teen and adult life (now 55). I do have both solid state and liquid state systems at home. I have both class "A" and class "AB" SS systems with both planar speakers (Magnepan 1.6's) and several pair of more conventional dynamic speakers. I have 3 tube amps including 300B SET, 2A3 push-pull, and a larger, high powered tube amp...and the speakers required to bring out the best in each unit. While I love them all, I have to say that the most involving and evocative listening sessions are with the 300B amp, followed closely by the 2A3. While my tastes now tend to "quieter" types of music, I still like to crank 'em up once or twice a week. However with that said...if I had to limit myself to just one amp and/or system...I would sell every other piece of equipment I have, if necessary...just to keep the 300B SET in tubes!

Solid State VS Tube amps? Is this a trick question?

Sparky57 is right on! But you CAN NOT tell someone this. It can only be experienced first hand. Some people would disagree and I'm talking experienced listeners. To me it is all too obvious but then again we all hear and listen differently. What is right for one is wrong for another. Then there are the system variables and impedence matters that would all but mandate a solid state amp. There is no absolute answer to your question. My answer to you is DON'T be tempted, and DON'T take a chance. If you are willing to spend the money you will for a Pass amp, I have heard and it is good indeed, for solid state, take the time to compare tubes and solid state. When you are finished comparing, you really won't need to ask anyone because the opinion that matters the most, yours, will hold the answer. My preference is obvious and am in full agreement with all the above.

As offensive as this may sound to many tube lovers out there I find the sound of well designed solid state to be categorically better than virtually any tube amp unless your system is seriously flawed and requires tube coloring to disguise such flaws. In my experience most tube amps break-up when forced to reproduce complex passages of either classical, rock or jazz (i.e. large dynamic peaks, many instruments overimposed, etc.). The only exception are the "over-engineered" megabuck tube amps with which I have little experience but which in any event do not seem to overperform well designed solid state gear. Although tube coloring via excessive mid-bass and rolled highs is in many cases a tempting cure for poor recordings or poorly designed systems I believe there is solid state equipment out there which vastly outperforms these intricate system/tube pairings. If you want names I suggest you look at Plinius, Krell, Levinson, Rowland, as well as some less pricey stuff from such as Marsh, GamuT and Sunfire.Of course the rest of the system needs to be up to par.

The only transistor stuff that approaches the musicality of tubes is Naim. For the most part, still prefer tubes but could and have lived with Naim .Had lot's of Class amps over the years as well, but not in the same league as tubes (or Naim).