Jeff,
Thank you for that reply!
This is really a lame answer, but if truth be known, my main reason for sticking with a single vendor has been to get a nice remote that operates all pieces. I realize there are third-party remotes, but I'd wanted to avoid them for various reasons (cost, confusing to use). Maybe I should start a second thread asking for experiences on that score. Also I think I was hoping to simplify my choices in add-on pieces.
Do you have any feedback on the CP-35 in particular? I realize my own ears are the judge, and I find I do hear differences between the different levels of equipment, but haven't seriously listened to anything else in this range, and want to be sure this entry-level unit isn't the "bad apple" of the Classe line, and to be sure I shouldn't be trying to increase my buget (again).
Do you have any experience with the optional Classe phono stage, compared to reasonably priced (say $500 or so) external phono stages? This option is definitely a "plus" for me.
Two other "feature" hesitations I have about the Classe pre-amp:
-- Not many inputs. I was hoping for 6 rather than 5. Like headphone jacks, this seems to be something high-end units drop. The tape input (one of the 5) won't be as useful, in that with the headphone setup as you described I won't be able to listen to the tape input over headphones (I assume). This might be stupid, but I was thinking of using splitters to connect more than one device to a single input. Then just take care to make sure that only one is turned on at a time! Do I risk equipment damage or poor sound quality?
-- Not sure that this unit could fit into a home theater system (this is not important to me at all now, but never say never, I guess). Two-channel "home theatre" would be fine for me, if there's a way to just feed stereo from a DVD disc to the pre-amp without losing sound content.
-- Looks. I think the mixed black and silver is odd. I would prefer one or the other. But I don't care.
Every step up I've taken so far in the shopping process has been an improvement. This is the best so far, but it's in a different league than I listened to before (sort of the bottom of high-end, I guess, rather than "mid-fi").
It's good to hear the company is solid. I'm mainly considering this particular equipment because the local dealer that carries it has treated me so well (especially considering I came in looking for a $500 receiver originally). I had never heard of Classe before. Since then I have read everything I can find. I will post praise for the dealer elsewhere on this site, but for anyone in Vermont, it's Audio-Video Authority in South Burlington.
Other choices in town that are actually available to listen to are Rotel (the same dealer has it, I have "moved up" with the Classe audition), NAD (I listened to their lower-end stuff and didn't like it, mushy, dark, their high-end separates are not available for local listening), Arcam (I eliminated their top-end integrated because it doesn't image well), Cambridge Audio (too bright, good value on the lower end though), Parasound (only the low-end pre-amp is available to listen to, sounds a lot like the Rotel, good, but bass-heavy and not as refined), Adcom (the higher-end CP-750 pre-amp is available to listen to, I may try it based on comments here, I listened only to the low-end before), Acurus (I like it really well, but thought it would be harsh to listen to long-term, and some music doesn't sound good through it), Marantz and Myryad integrateds (both nice, but I fear not enough power for my speakers and room). McIntosh, Bryston (same good dealer), Conrad-Johnson, and Audio Refinement are available, but out of my league, I think. Anyway, I don't think you needed to know any of that -- unless you happen to have compared the Classe pre-amp to the Adcom CP-750, which is probably the only thing on that list I will think about auditioning "against" the Classe.
I will definitely buy local.
Thank you again. As I have perused the "board," I really appreciate the time you and others have put into answering questions here.
Thank you for that reply!
This is really a lame answer, but if truth be known, my main reason for sticking with a single vendor has been to get a nice remote that operates all pieces. I realize there are third-party remotes, but I'd wanted to avoid them for various reasons (cost, confusing to use). Maybe I should start a second thread asking for experiences on that score. Also I think I was hoping to simplify my choices in add-on pieces.
Do you have any feedback on the CP-35 in particular? I realize my own ears are the judge, and I find I do hear differences between the different levels of equipment, but haven't seriously listened to anything else in this range, and want to be sure this entry-level unit isn't the "bad apple" of the Classe line, and to be sure I shouldn't be trying to increase my buget (again).
Do you have any experience with the optional Classe phono stage, compared to reasonably priced (say $500 or so) external phono stages? This option is definitely a "plus" for me.
Two other "feature" hesitations I have about the Classe pre-amp:
-- Not many inputs. I was hoping for 6 rather than 5. Like headphone jacks, this seems to be something high-end units drop. The tape input (one of the 5) won't be as useful, in that with the headphone setup as you described I won't be able to listen to the tape input over headphones (I assume). This might be stupid, but I was thinking of using splitters to connect more than one device to a single input. Then just take care to make sure that only one is turned on at a time! Do I risk equipment damage or poor sound quality?
-- Not sure that this unit could fit into a home theater system (this is not important to me at all now, but never say never, I guess). Two-channel "home theatre" would be fine for me, if there's a way to just feed stereo from a DVD disc to the pre-amp without losing sound content.
-- Looks. I think the mixed black and silver is odd. I would prefer one or the other. But I don't care.
Every step up I've taken so far in the shopping process has been an improvement. This is the best so far, but it's in a different league than I listened to before (sort of the bottom of high-end, I guess, rather than "mid-fi").
It's good to hear the company is solid. I'm mainly considering this particular equipment because the local dealer that carries it has treated me so well (especially considering I came in looking for a $500 receiver originally). I had never heard of Classe before. Since then I have read everything I can find. I will post praise for the dealer elsewhere on this site, but for anyone in Vermont, it's Audio-Video Authority in South Burlington.
Other choices in town that are actually available to listen to are Rotel (the same dealer has it, I have "moved up" with the Classe audition), NAD (I listened to their lower-end stuff and didn't like it, mushy, dark, their high-end separates are not available for local listening), Arcam (I eliminated their top-end integrated because it doesn't image well), Cambridge Audio (too bright, good value on the lower end though), Parasound (only the low-end pre-amp is available to listen to, sounds a lot like the Rotel, good, but bass-heavy and not as refined), Adcom (the higher-end CP-750 pre-amp is available to listen to, I may try it based on comments here, I listened only to the low-end before), Acurus (I like it really well, but thought it would be harsh to listen to long-term, and some music doesn't sound good through it), Marantz and Myryad integrateds (both nice, but I fear not enough power for my speakers and room). McIntosh, Bryston (same good dealer), Conrad-Johnson, and Audio Refinement are available, but out of my league, I think. Anyway, I don't think you needed to know any of that -- unless you happen to have compared the Classe pre-amp to the Adcom CP-750, which is probably the only thing on that list I will think about auditioning "against" the Classe.
I will definitely buy local.
Thank you again. As I have perused the "board," I really appreciate the time you and others have put into answering questions here.