Are you manufacturer's paying attention?


There's an absolute feast of high dollar amplifiers on the board unsold, some for a second go-around. All great names and models. At the same time, you see more and more value-priced components like the ASL Wave and lot's more interest in kits.
I have seen 2 different manufacturer's post on the Asylum questioning what people want in sub-$1000 amps. No big names, though. Wouldn't it be nice if C-J, ARC, Cary, Plinius etc., gave us some solid pieces at realistic prices instead of questionable upgrades with increases?
I'm also waiting for Stereophile to review the latest from whomever and tell us that the signature edition with the same old op-amp or cathode follower with the new name sounds the same as the predecessor. Yeah, and somewhere in Arkansas there really is a pig that can whistle!
kitch29
This is where I came in!
Hey, where's my quarter note?
Yeah, I've been lurking here a little this past year but mainly over at the Asylum and especially Pi Asylum.
The brand names I referred to: C-J, ARC, etc continue to do their thing and a lot of new guys are making even higher dollar, more questionable gear throwing parts at the same old topologies.
Kits is where it's at. No prior experience needed. Building from schematics even better.
I've discovered that value is there for the taking. In the past year I've built pre-amp, 2A3 monoblocks, horn speakers and all their cables. That's an investment of about $2000. Sounds good to everyone who hears it and even a few reviewers.
.
Now I've replaced the $400 Cambridge CD player that embarassed the Planet and Classe with a $200 Sony SCD-CE775 SACD that buries the Cambridge on Redbook.
And I'm going to modify that.
Once your face stops hurting from grinning over what you've created, you find yourself listening to music more and components less.
Come visit me at my low rent website:
http://home.att.net/~wsepstein/wsb/html/view.cgi-home.html-.html
Kalan,

I agree with you 100%. I wasn't very clear with my analogy. What I should have said is that: it is like looking at a Monet from 20 feet, all the detail is there, but instead of focusing on each detail as happens at 5 feet, from 20 feet those same details are what makes the picture whole.
Fiddler, I get it now. Wow, how easily I misunderstood your analogy! For some reason, the same language I found sort of "in your face," seems OK, now that I know that you agree with me....
This has been a good lesson for me. Thanks for clarifying matters. It's such a relief to find a concurrence on these illusive, esoteric issues of aural approximation to live music. One can begin to think every other opinion is unique and no agreement can take place because we all process music too differently.
I can think of no other explanation for some of the widespread acceptance some audio gear has. I hear the same, lauded gear, and scratch my head in disbelief. This is supposed to be good?
He, he, he.

It seems we always feel better about this audio stuff when someone agrees with us. Just a flaw in human nature I guess.

But, the bad news is that anyone rarely ever agrees with me.

Warren