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Classics and Cults. Bogus Journalism?

Classics endure, it seems, even as technology improves. Regardless of the new stuff, people still seem to agree that the AR SP-11 is a very good pre amp, that VPI TNT turntables are wonderful, that the Levinson 30/31 combination is a great CD player etc. Some, gear however, bursts onto the high end scene in a flash of glory, only to disappear off the face of the earth and never be mentioned again. What's going on here? I was thinking recently of the Crown Macro Reference, an amp that I never heard but I recall that it was briefly the best thing in the world with the high end audio press, only to never be mentioned again and presumably trade at deep discounts. There was another amp -- made in a garage somewhere -- maybe some of you recall the name -- that despite its low cost and simple SS design, was possibly the best amp EVER in the world. It was back ordered forever, only to disappear and never be mentioned again. Can anyone else think of products like this? Are these just spurious reviews or were the writers drinking Krug and Chateau Lafite courtesy of the manufacturers before sitting down at their keyboards?
cwlondon
henriques's avatar
henriques
0 posts
 
CW,dont be too hard anybody drinking Krug(i prefer Bollinger Grand Anne 83)or Chateau LaFite.If somebody bought me a bottle,i write whatever they wish.
cwlondon OP
1,210 posts
 
I like wine, too, but I am not so concerned about drinking by the label. I do remember the Rappoport pre amp. There was a used one in my local dealer circa 1980 ish. The amp I was thinking of, however, was a power amp -- more like 1990 -- solid state, I think about 200 WPC, and relatively inexpensive, maybe $2-3000. I think I remember a dealer in New Canaan CT or Bedford NY stocking it and the absolute sound just raved and raved, even though you couldn't seem to buy it anywhere. Greatest thing in life. And then, no one ever mentioned it again. (Doea anyone remember.) I have loved the absolute sound for years and have read it since I was 15 and think some of the people were very smart. Very smart, and very full of sh*t. Fascinating. Any other ideas on over promoted, one hit wonder cult companies?
rcprince
3,070 posts
 
You're not thinking of the BEL (Brown Electronics Labs) amplifier that TOM raved about in TAS, are you? They are still made and popular, so I wouldn't call them a one hit wonder. The Crown Macro got hit with a controversial Lewis Lipnick pan in Stereophile in late 1993 ("no music") that was probably more a reflection on his listening room and system than the amp but still hurt its sales badly, although they are still big in professional circles, I believe. I guess one product that comes to mind for me is the Don Cochran Delta Mode amplifier, which was an interesting and good sounding design, well received by the audio critics, that may have fallen prey to the market forces that Detlof describes (although for some reason I think I may have seen something indicating that the amps are still being made). Interesting thread, I'll try to think of some others.
detlof
1,899 posts
 
Oh there was the Beverdige preamp, a Roger Modjieski design, beautifully made and executed, an early two chassis job and expensive, done and financed by the speaker people, also long defunct. Harry Pearson at the time was so infatuated by the SP 8 that it needed just one review of his, comparing the two, to kill the precariously financed endevour once and for all. For a while you could have them fairly cheap, so I got myself another one and ran one for each channel. I remember a glorious liquid midrange, as soon as I had thrown Roger's Russian ECC83's out. ( I think, there were 12 of them in the thing. )
detlof
1,899 posts
 
Correction: Now I'm not sure, probably it was the SP 6 not the SP 8 HP kept on raving about in those old days.
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