Willing to be proved wrong.


After reading so many threads and so many arguments, I'm willing to concede that maybe I'm wrong. My turntable, an old Garrard DD75 has been sitting in the basement since I got my first cd player. I've also got a lot of vinyl stuck away. I've had chances to sell it, but somehow never could. My question, is, what do I need to do to get this TT going again. It still has a Stanton 681EEE cartridge, and according to the strobe, still runs true. I've put a lot of money into this hobby in the last year, so if you're going to tell me to buy an expensive new TT, forget it. I'm willing to get a new cartridge, but have no idea what to get now a days. It used to be Shure, Ortofon, Empire. I'll also need a pre-pre amp of some kind, but have read threads about a battery powered one from Rat Shack. I would appreciate any help.
elmuncy
Elmuncy, noise reduction processing is generally only used for transcription purposes of material old enough not feature a full frequency range, and rare enough and in bad enough shape for the inevitable trade-offs not to outweigh the benefits. (Although these days, most such processing is done in the digital domain.) Audiophiles don't use "de-clickers" for ordinary listening, and you won't need it for records in good shape. If your vinyl is in bad enough shape that cleaning it won't make it listenable to you (not only due to dirty surfaces, but maybe to being played on a poorly tracking cart/arm for many years, or improper handling or storage), then you will probably only be content with newly bought records. But you might also view not being able to happily listen to your existing collection as an end to your reason for wanting to get back into vinyl in the first place. Records can be fantastic, but only you can judge whether your records can be that for you.
Hi Paul:

From your comments you do not leave the preamp powered up 7/24 which is very much needed to improve the sound (it also requires a minimum of 100 hours, 150 is more like it, of running a signal in order to sound its best). The most a battery can last (@ complete idle w/o a signal being processed is 8 days in any of my units) and I cannot imagine buying and tossing non rechargeable batteries within this amount of time being that I leave them powered up all the time.

This is not meant as a rebuttal of your specific findings and is just to point out that these budget preamps can sound quite good when operated in the manner that I describe (hassles and all, which also includes using a high output cartridge due to the gain).

As far as the rest of your post you have my MO down to a "T" (being that I am a music junkie on a budget) and I also heartily agree with what you point out as being the main reason for most anyone to own a TT (regardless of its status) in decent operating condition (this being in regard to expanding ones music library).

Elmuncy:

If you wish possibly scratched and dirty LP's (from your hay days) to be without crackles and pops, then it's not going to happen. I will purchase rare LP's in poor condition (just to hear them for the first time), but the ticket is to learn how to inspect and judge LP's, as far as playing condition goes, if purchasing them in person on the used market.

Just to drive you nuts (LOL) me and my wife have purchased 1200, or so, used CD's in the past 3.5 years for maybe $2.5K tops. In the past year we have purchased around 1500 LP's, 99% of them being in mint playing condition, also on the used market, for well under $1K. I do however realize that this depends on ones local.

I also collect reel to reel tapes and 78's even though I have not owned a R2R or a 78 player for 20 years as someday I may have this source gear again.
I don't know if this thread is dead or not, but I'll say more. I've got my old Garrard hooked up to my Yamaha and from that to my Creek. This would have to be a worst case scenario, as this is not the way to hook things up, my TT is crappy, the cartridge is 20 years old, and da## does it sound nice! I can see the pontential. I've been looking at used stuff, and from what I can find by looking at threads, the old ones to get are Dual, and Thorens, although some say the Technics 1200 is good. Give me some advice without breaking the bank.
I own a Technics SL-1200, and while I like it fine and it might well be better than what you've got now, I'm not going to tell you that you should get one. But I will say that you can probably do a lot better, for not a lot of money, than getting involved with the majority of old TT's such as the ones you mention. There are decent new options out there for audiophiles, without having to go down a disappointing or excessively mod'n'tweaky path of trying to restore an old machine and reduce its inherent flaws. It won't be worth what might initially seem like the savings you think it, and most of these tables are inferior to what you could get in a nice new, clean, moderately-priced TT today.