Do cables really need "breaking in"?


The post about whether speaker cables matter has inspired me to ask another question...do cables really need a break in period to sound their best? Some people say cables need to be broken in or played for a while before they achieve optimal sound.

This sounds to me like it was invented by believers in astrology. Isn't that break-in period just allowing time for the human listener to get used to them? Has anyone ever done an A/B test with new cables vs. used cables of the same type and noticed a difference?

All I know is that new Porsche or new bed (or new girlfriend for that matter) feels totally different after you've had it for a month versus the first day. Ever moved into a house/apartment/hotel and noticed all kinds of distracting ambient noise that seemed to disappear after you'd been there for a while. It's human nature. Even if cables needed a break-in period, how could humans tell, with all these other much more noticeable factors distracting them?
matt8268
Herman brings up a point that I have thought about quite a bit as well, while trying to understand what I was/am hearing. Herman says "I have never once heard anyone say that a cable sounded worse. They ALWAYS sound better." After playing with quite a few cables, I have answered this question to myself in this manner:

A good high end audio designer should use the END product throughout testing and voicing of a model, and I think a lot of them do just that. A simple example would be speakers. If I were building a pair of speakers, and wanted to see what 10 different midranges sounded like, here's what I would do: buy a couple of each of the midranges, and cook them on some signal/amp combination for say 200 hours. THEN, and only then, would I put each midrange into the cabinet, and see how it sings with the woofer/tweeter/crossover. Bear in mind, I would have cooked the woofer and tweeter for sure, and heck, maybe even the crossover parts (including some extra capacitors/coils to try). After this process, the combination of parts and some tweaking would produce the prototype. Now, to actually build to sell them, I would be ordering the parts in quantity, and assembling the speakers. Maybe I have time/space/money to give them 10 hours of burn in, or maybe more, and expect the owner to do the rest.

The end result is a product that out of the box does NOT sound the way I (the designer) heard it. But, since I accounted for this breakin, the speakers will sound BETTER with break in - every pair of every model that is designed as above.

Now, I have no idea how much of this is feasible for cables (that's why I used speakers for my example), but I know some cable makers do go through this process.

All in all, I agree that some of it is the listener breaking-in to the new sound, but I am very sure that cables do change their sound not only with burn in, but also from being moved. Some of the more noticeable examples I have run across include Purist Audio, Cardas, and some Straightwire models. Take a pair of these interconnects off, put them back in their box for a couple of days, put them back into the system, and there is a readily identifiable and PREDICTABLE course that the sound will take while the cables settle back in.
Do cables really need "breaking in" ? The answer is a resounding YES. Will they ever FULLY break in under normal operating conditions within a hi-fi system ? I sincerely doubt it.

To those that have never experienced the difference between a cable that has been burned on a Mobie (or similar device) and an identical cable that hasn't, you have NO grounds to base your statements on. You are peddling hearsay based on YOUR preconcieved ideas and what you consider to be "common sense" and "logic". All i can say is that your "logic" is about as flawed as thinking that the Earth is both flat AND the center of the Universe. Just as the "heretics" known as Galileo and Christopher Columbus proved otherwise many years ago, we will someday have the technology to prove that MEASURABLE and AUDIBLE differences do exist in "burned" and "raw" cables.

While i can't speak for everyone, my experience is that interconnect cables used for hundreds of hours will typically demonstrate noticeably superior performance after "roasting" on a Mobie for a reasonable period of time. The use of another "cable burner" such as the Duo-Tech did nothing in my opinion / experience. I have no idea as to how effective Alan's "Cable Cooker" works either.

As to the "results" of "burning in cables" being positive, i think that most folks would consider increased clarity, smoothness, transparency, detail, improved harmonic structure and a more natural presentation GOOD things. As to the naysayers, put your money where your mouth is and find out first-hand. Music Direct ( or anybody else that may sell these things ) offers a 30 day return policy on a Mobie. Buy one, burn some of those $15 "competently designed" cables for two weeks non-stop and then give them a try. You can even "daisy chain" a few pairs if you make a trip to Rat Shack and invest in some double female RCA "barrel" connectors. If you don't notice a beneficial difference, then return the Mobie and get your money back. You won't be out anything other than the small cost of shipping. If you like the results, you will have made what could amount to a phenomenal purchase for the money invested. Either way, you can post the results right here for all to see, good or bad. You will be speaking with first hand experience then and nobody will be able to argue with that.

Until then, i consider any "negative" ramblings about cable burning or break in to be a moot point. Put up or shut up, your option. Sean
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Yes,especially if you are using MIT cables. The digital reference took all of 2 weeks to settle down. The other MIT interconnects took about a weeks worth of time. Maybe it is just getting used to them,but I do believe they need time to become one with your system. Cables are not passive as we would think and your electronics before and after them make minute changes to thier circuts to adjust.After all they do have the properties of inductance,resistance and capcitance. Please excuse any spelling errors as it is very late here,4:00am.
I've done direct fresh VS "cooked" speaker cable A/B's twice. First time with 4, identical 5 foot lengths of Kimber 4TC cut from the same spool and terminated in the same way (spades with Wonder solder). I was going to Bi-amp my Acoustat 1100 and needed the 4 identical lengths. First I listened to them fresh as pairs in a single wire configuration to make sure they were working ok. The two pairs sounded identical. I left the last pair hooked up to the 1100's and hooked the first pair up to my Duo-Tech enhancer in the basement. And I promptly forgot about the first pair. I then went on vacation for over a week. Upon returning, I fired up the system and 1100's and everything sounded as before. I then remembered the other pair of 4TC cooking (about 10 days by now) in the basement, brought it back up and swapped it out for the "fresh" 4TC pair. I sat down and pressed play.....GOOD GRIEF. The difference was immediate and not subtle. More open, more relaxed, more liquid, more quick..the usual suspects. I went back and forth several times between the cooked and fresh pairs of 4TC and it repeated each time. Things with the cooked 4TC got even better after about a day of "rest". I repeated the same basic experiment (this time with Apogee Slant 8's) when I upgraded to Audioquest Sterling II. Results were very similar but not to the degree as with the Kimber (the single 25 foot run of Sterling already had some time on it).

I'm not sure why there was a difference, but a difference there definately was and it was quite beneficial. I have a similar story with interconnect wire.