TT suggestions -- please


I've decided to go to the well and purchase a new TT as opposed to upgrading my HW19. I have set a budget of 2,500. My speakers are Innersound Eros, driven by the ESL crossover amp and an Aragon 4004. I have a Coda preamp and a Monolithic phono pre. I am asking for what you think will be a good match with this setup. My room is not on a slab, so I am wondering if this necessarily eliminates non-suspension type TTs.

One dealer suggested a Nottingham Spacedeck. The Nottingham is supposedly warmer, like Linns, and with my stats, supposedly be a good fit. Any truth to this?

Thanks in advance.

Mike
1musiclover
Frank, that's great. I'm glad to hear that. Now I can file that in my useful information, and be able to pass it on to others. It's nearly impossible to try everything yourself, so it is really great when I can get the opinion of someone else who knows what they are listening to, and can give a meaningful opinion.

I'll bet you are really enjoying it. I know that I love my 501. It's a real winner.
Mike. The Sota is also a very nice TT, as Sean and Nrchy point out. You would not go wrong with it either. I have my preference for the Teres however.
Thanks to all have responded. You have really been a big help.

Tom, regarding the Teres. Do you use an isolation device since you are over a crawl space? What type of rack are you using? Sonically, is the Sota similar to the Teres?

A
Mike, I use a mass-loaded TT stand, which has granite slabs over wood, and topped with MDF covered with formica on the surface. I don't believe in soft isolation on a TT. I think isolation is the worst thing that you can do to a TT. In my opinion, direct coupling is the only thing that allows true dynamics and bass response. I would never isolate my TT. If I have a problem with the floor, then I fix the floor, I don't wreck to sound of my TT, in order to try to band aid a floor problem. The system I use now is a makeshift stand that I threw together. But it does the job, and has no "mushy" parts between the TT and the floor.

Regarding the comparison of sonics between the Teres and Sota tables, I am hesitant to say, as I don't want to tweak anyone's nose, but in my opinion it is no contest, the Teres walks away from the Sota. Sota is a nice table, but the Teres is in a whole other league, sonically. The main competition for the Teres 245 all cost over $10k. There is one other TT that would compete with the Teres in a similar price range, and that is the Redpoint TT. You can see it at the Redpoint website. I considered it too ugly for my tastes. Also I think that their motor/contoller doesn't do as well. But sonically, it would compete, if you want to pay $850 more than the Teres 245 and get a butt ugly TT. The Redpoint is an offshoot of the Teres project, and uses the same main bearing. The guy doing Redpoint is one of the original Teres project participants, Thom Mackris. Personally, I think the Teres is just as good sounding or better, and looks 100% better, and costs $850 less. This is the only TT that could be considered competition for the Teres under $10k with arm. IMHO, of course.
Tom. I'm trying to understand why suspended tables, such as the Linn, would prefer a lightweight stand. It seems to me that all tables would benefit from a very rigid heavy stand, whether mass-loaded or suspended. Please explain. I'm considering the "entry level" Teres models but am concerned about the company's long term survival. Do you see them being around 20 years from now? You're obviously a wealth of knowledge through your passion for music. Mike.