The best Cdp that have volume control

take it easy, carl. my opinion, & that of my brother-in-law, are as equally informed as yours - to our ears - which is what's important, imho. our systems are *also* "splendid", in "correctly treated rooms". who cares if you have listened to res-audio for 50 years, & i only heard it the 1st time yesterday? what's important, is how one thinks something *sounds*.

the only opinion i am "pushing", is my opinion that the digital format (res-audio products included) *can* be improved by quality tubed preamps. this is not an opinion unique to me - many audiophiles share it. i even emailed res-audio directly, & they agreed that in many instances, their player's sound can be improved by the addition of a quality preamp.

carl, i respect the fact that ewe seem to disagree w/me about this, it's baffling why ewe can't seem to respect my opinion about it, or the opinions of others, even including the opinions of the designers of the equipment in question. i'm also baffled why ewe still refuse to divulge which (if any) preamps ewe may have run the res-audio cd-player thru, which has led ewe to your conclusion.

i have always found that having an open mind has helped me to learn about achieving better sound in audio; it's also been quite useful in other real-world endeavors.

regards, doug

Carl_eber, Sedond is right. You've never said what tube pramps you have tried with your CD50 (if, in fact, you really own one). Looks to me like more of your pompous posturing. All talk, no walk. Admit it Carl, you tried your CD50 driven directly and have never gone back. Look what you have done, again, Carl. You log onto a thread in your pushy way, chip stuck on your shoulder, and wreck it for everybody else. Why don't you get another hobby and leave the rest of us alone? Kendall

At the risk of disagreeing with my good buddy John_1 above, I owned a Sony XA7 for several years and much preferred to use it with my SF Line 2 pre-amp. I did try it direct to McCormack DNA-2DX amp and found it highly detailed, but thin, lightweight, flat, and uninvolving. The HQ tube pre-amp added considerable body, weight,timbral richness, and a natural holographic quality that direct to amp didn't even come close too. So, in this respect I fully agree with Doug's experience/position of using a good tubed pre-amp with, if necessary, a less expensive CD player. Ideally, I would want both a good front end and a good pre-amp. I have not heard either of the RA CD players, but they are well regarded in the audio press. Cheers. Craig.

...too "mesmerized" to comment!

I hesitate to get involved in this thread, but the post above on the Wadia reminded me that, if I'm not mistaken, the initial review on the Wadia spoke of how the volume control on the Wadia was in the digital domain, and that by using the volume control to attenuate the signal (rather than running it more open and with very little attenuation, as noted in the post), the player was using some of its 16 bits to effect the attenuation, thereby at least theoretically degrading the ultimate resolution of the machine. So Jla's advice on setting the internal switches to allow for the need for less attenuation of the signal is a good one, for that player. I don't know how many players with adjustable output use this mechanism (or, if they do but are true 24-bit players, whether they would not have any noticable degradation due to their significantly higher computing power), or if they do the attenuation in the analog domain, but it may be worth looking into.