I see it got a little carried away here when I went off to work on my TT (BTW, new pics will be up
Here). Give me a little time to get them up this morning.
Couple of points. But first, like everyone else, I have no affiliation or financial interest in any manufacturer save myself. If I stand to gain or lose anything it will be because I plan on trying to make a table of my own design using the Teres bearing & motor. I have absolutely no intention of bashing Teres and am nothing but a very satisfied customer.
Focusedfx:
Surely you want to give it some thought. This is not a small purchase. But there are a couple of things you need to think about. Why is everybody so happy with this turntable? There has to be a reason. Personally, I would not let the two, thats right, only two, issues that have been raised here to dissuade me from buying it. Think of those of us who have dealt with Teres and are very satisfied. I heard he has something like 300 tables out there. Two problems is less than 1%. I dont think thats too shabby. If that was a car, it would lead the JD Power list forever. Thats my OPINION.
Patrick:
My Acrylic platter is flat, I would say well less that 1/64" deviation. I was going to put it on a surface plate and use a dial indicator, but that seemed to be a little ridiculous. I also have an answer for the arm board problem. Will email offline.
David:
Wood platters holding up over time. Well, I have given this one a lot of thought, and since I plan to make one soon, here's what I think. The Teres cocobolo platter SEEMS to be made of blocks, infused with west systems epoxy, then drilled for lead. I personally feel due to my experiences with wood, boats, and west systems products that this system SHOULD be able to stand the test of time. A long time. The only problem I would worry about is stress cracks during the machining process. With material the material differences, machining it using standard woodworking methods is probably not a good idea if you want to keep it true. But trying to find a more precision metal lathe that will swing 13" is a problem I worry about when I get there.
Psychic:
Wood can be machined to very high tolerances. It's all a matter of having the right tools and knowing how to use them. The problems that arise when trying to maintain precision are caused by the wide variations in hardness between epoxies and wood. This could be where metal working machinery gives an edge.
Doug:
I agree, there must be something to it if everyone prefers the wood platter. This has got to be something due to resonant properties and density. Denser is better. No brainer. If there is an even better material, Ill find it. Been doing sh**loads of research on this.
Tom:
I was gonna see if I could drive over and listen to your TT, but, um, maybe in the spring! Seriously though, your situation is probably the most extreme real world test of any wood product. There is the potential to bring out the worst in the platter, and it sounds like there is no worst. This seems to lend credence to a west systems type manufacturing of the platter. This epoxy will lend stability that would otherwise be unattainable using conventional glues especially under these extreme circumstances.
I've said it before, but my experiences with Teres quality is limited to the bearing, motor, acrylic platter et al. I actually have all of these parts sitting in front of me at this moment, as I write. There IS NOT ONE PIECE that I am not impressed with. All of it is the very highest quality. Right down to the cool mylar belt. Nice!
So while I have the ability, I decided to save a few thousand dollars and get the finish I want. If I want to do a little Intarsia to dress it up, cool (do you know what I mean, David?). Although having Ramond's book far from makles me an expert on the process! So I cannot comment on the fit & finish of the finished Teres models. This thread started because of someone's review of the wood platter, and the concerns it raised. Fair enough, for this kind of money it should be damn good.
