Ok, from there, if we agree that amps and wire are both made of varying complexities of rearrangement, and that varying degrees of complex cognitive application are required for each varying symmetry, ie. its takes more complex thinking to design and construct an amp than a piece of wire, then does this necessarily imply that 1) wire is not a "component" or 2)that wire is "less" of a component than an amp (Clueless' conclusion after his experience with less and more complex tools)?
Since we seem to agree that wire is rearranged matter just like an amp and is subject to some consideration, the question then becomes: how much relative to more complex tools that it fits between?
Points to consider:
1) It is important to differentiate between the above reference between "design" and "construct". In other words, a design may be more creative even though the resultant tool is less relatively complex in its construction. For instance, if I build an amp that merely copies a 1930 design, is it a more "complex" design than a design of a piece of wire that incorporates new ideas on electro-magnetism and/or quantum fluctuations? I have pointed out that people attached to the scientific materialist bias cited above tend to default to a position that looks to the construction complexity as opposed to the design complexity in cognitive-creative terms. But since creating the amp/wire begins in the mind, wouldn'y it be more logical, even more accurate, to say that the "complexity" of a "component" begins in its design, rather than in the result of that design as constructed in matter?
2)Ok, apart from 1) above, arguendo, let's assume that the creativeness is equal in an amp vs. wire design. Does that difference in complexity make the amp more important in performance criteria than the wire? Clueless seems to say so, but what if, in performance, and regardless of the complexity in design or construction of either, the wire produces a greater accurate musicality jump in the system?
3) So, given the evident answer to 2) above, namely that performance is LOGICALLY the final arbiter beyond design and construction issues and their accordant complexity, or lack thereof, how important is "complexity" of matter rearrangement (the complexity of the construction of the stereo piece) in determining the importance of any given insertion of a stereo piece into a sysytem?
4) Is there any person who has collected the experience to be able to "construct" a state-of-the-art system who would ever say that wire isn't extemely important in the resultant sound of such system? If, in practice, this opinion is predominantly true for such demographic of users, then what possible validity, in practice, can the position hold that says that "complexity" in construction is determintive? If, empirically, I observe a sample of results ( advanced system constructors who say wire is critical) and I determine that this response/observation is consistent over time, then isn't my ignoring the results of this empiric observation (in default to my assumption that construction "complexity" is determinitive) itself un-scientific?
So we understand this time around, the operative term is "determitive". I agree that a strong correlation exists between design creativity and/or construction complexity and that these "scientific" factors are important to look at. The quetion is, can a bias in this direction as cited above be supported in logical, experential or even scientific ways? Or rather, is a continued adherence to this bias more symptomatic of an attachment to the rearrangement itself, and hence, an attachment to scientific materialist assumptions?
Just some things to consider.
Since we seem to agree that wire is rearranged matter just like an amp and is subject to some consideration, the question then becomes: how much relative to more complex tools that it fits between?
Points to consider:
1) It is important to differentiate between the above reference between "design" and "construct". In other words, a design may be more creative even though the resultant tool is less relatively complex in its construction. For instance, if I build an amp that merely copies a 1930 design, is it a more "complex" design than a design of a piece of wire that incorporates new ideas on electro-magnetism and/or quantum fluctuations? I have pointed out that people attached to the scientific materialist bias cited above tend to default to a position that looks to the construction complexity as opposed to the design complexity in cognitive-creative terms. But since creating the amp/wire begins in the mind, wouldn'y it be more logical, even more accurate, to say that the "complexity" of a "component" begins in its design, rather than in the result of that design as constructed in matter?
2)Ok, apart from 1) above, arguendo, let's assume that the creativeness is equal in an amp vs. wire design. Does that difference in complexity make the amp more important in performance criteria than the wire? Clueless seems to say so, but what if, in performance, and regardless of the complexity in design or construction of either, the wire produces a greater accurate musicality jump in the system?
3) So, given the evident answer to 2) above, namely that performance is LOGICALLY the final arbiter beyond design and construction issues and their accordant complexity, or lack thereof, how important is "complexity" of matter rearrangement (the complexity of the construction of the stereo piece) in determining the importance of any given insertion of a stereo piece into a sysytem?
4) Is there any person who has collected the experience to be able to "construct" a state-of-the-art system who would ever say that wire isn't extemely important in the resultant sound of such system? If, in practice, this opinion is predominantly true for such demographic of users, then what possible validity, in practice, can the position hold that says that "complexity" in construction is determintive? If, empirically, I observe a sample of results ( advanced system constructors who say wire is critical) and I determine that this response/observation is consistent over time, then isn't my ignoring the results of this empiric observation (in default to my assumption that construction "complexity" is determinitive) itself un-scientific?
So we understand this time around, the operative term is "determitive". I agree that a strong correlation exists between design creativity and/or construction complexity and that these "scientific" factors are important to look at. The quetion is, can a bias in this direction as cited above be supported in logical, experential or even scientific ways? Or rather, is a continued adherence to this bias more symptomatic of an attachment to the rearrangement itself, and hence, an attachment to scientific materialist assumptions?
Just some things to consider.