Ok, its time to start putting some results down as I go, so this is round one. Right now, 11:33 am Saturday morning, 18 September, 2004. Lets start with a list of LPs Ive cleaned this morning with Pauls formula. The couple of albums I did last night are not going to be included here. I used them to get a feel for the amount of formula to use. All were cleaned on a VPI 16.5
VPI. I used new felt on the pickup tube, and new Last brushes. The Denon 103r was cleaned before the play began with Last #9, and in between each LP with a Zerodust. All albums were cleaned with a carbon fiber brush when they went on the platter. Any reference to pictures here means that before the weekend is over, Ill have a page on my site with them on it. Also, this is a comparison to RRL fluids, which I have used for the past 6 months. The only other cleaners I have used in the last 6 months are the Premier spray, and the Gruvemaster (or however he spells it) in the sink, with a little Dawn. I am not using them in this test. Also, if I have to include the I have no connection, yada yada disclaimer, you have misunderstood the purpose of this thread.
1: Warren Zevon Asylum 7E-1060 VG
2: Yes, Close to the Edge Atlantic SD-19133 G-
3: Elton John, Captain Fantastic MCA 2142 MCA (734) G
4: Joni Mitchell, Hejira Asylum 7E-1087 VG
5: Stan Getz, Focus Verve VE-1-25-28 VG
6: Eddie Harris, Electrifying EH 4MWB 4M106 NM
7: Kingston Trio Capitol T-996 VG
8: Frank Zappa, Apostrophe Discreet DSK-2289 G
9: Pink Floyd, WYWH (HSM) Columbia HBL-43453 NM
All grading is visual, before cleaning, and I tend to be very conservative. For example, the Electrifying Eddie Harris is new, played once. The Yes album had some mold or some crap on it (otherwise it was ok), so that rating may be generous.
Nasty Yes Normally I would use the sink for this, but I figured this might throw a curve ball here, so I just used the fluids.
One thing first: Paul, if you sell this formula in those bottles, Ill have to hunt you down and kill you. For the freebie samples, OK, but they were a pain to use. If the formula were a concentrate they would be OK, because you would not have to try and pour it on to an album.
Well, I guess the first thing you need to know is the way Ive gone about this.
The Stuff! First, for this round I ONLY used RRL and Pauls formula (hereafter referred to as PRCF, for Pauls Record Cleaning Formula), playing after each cleaning. I can honestly say that doing this was a tremendous pain in the ass. After about the second record, I realized that it is almost impossible to make direct comparisons if you clean with RRL, listen, then clean with PRCF, and listen again. Too much time goes by for a valid comparison, IMHO. Per Dougs suggestion, I also did the reverse, PRCF then RRL, to which the same PITA addendum applies. So, for a couple of albums I did the side a, RRL, side b, PRCF thing. I also kept the volume and other settings on the electronics the same, and made no adjustments to anything EXCEPT the VTA.
For round two I am going to try using albums I have 2 copies of. This presents another set of problems, such as the condition of each album, but Ill address that issue when it happens. Round one is going to address the surface noise and grading issues EXCLUSIVELY. Sonic improvements or degradation are set for round 2.
One more disclaimer here: Only the Zevon, Mitchell, Getz, Harris, Kingston Trio and Pink Floyd albums have been played on my TT. The other 3 were in too bad of shape, which is why I bought them for this test!
Right up front, I have to say one thing: Surface noise is greatly reduced using PRCF. This is not a subtle thing, but glaringly obvious. Even using PRCF first, then RRL, the results are the same, less noise. I attribute this to the enzymatic cleaning, since watching the output tube on the 165 shows dirtier output using it. No matter which order you clean them in. As I stated in my last post, PRCF also makes the LPs LOOK cleaner.
Six of the nine albums I am very familiar with, and know EXACTLY how much noise they have on them. Just to be sure, I played them again before running the test, without cleaning. They have all been cleaned with RRL, just not recently. Now, after cleaning for the test, every one has improved. It may sound like I keep repeating myself, but this stuff works, and works well. Also, the visual grade of the albums has improved. The Elton John, Zappa, & Yes albums were a mess, but second copies I have. Each one is now at least a VG-, maybe VG or better. RRL has never improved surface VISUAL CONDITION like this. PRCF took that shit off side 2 of the Yes album like it was never there
Clean Yes. Normally I would spend 10 minutes in the sink with something that looked that bad, and then go to town on the RCM.
The other interesting thing Ive found is that the stylus seems to pick up more crap after using PRCF. The Zerodust has all kinds of stuff in it now
See what I mean. I think that the process may loosen some old junk in the grooves that the second stage is not strong enough to remove. This happens when I clean with RRL then PRCF. Going the other way it does not seem to happen as bad. It may be possible that the RRL Super is a little stronger than PRCFs second stage. Interesting, but not conclusive. More testing is needed to see if this is primarily due to the filth on some of these discs. But, for the next round dealing with the sonics, I am going to pay special attention to the stylus. I plan to give it a good cleaning with Pauls funky little stylus brush. That thing works!
So, for now I would have to say Im very impressed with the PRCF. I do have some preliminary opinions on the sonics after cleaning, but I am going to do many more hours of listening over the weekend before I make any comment. Its taken me 4 hours to write this up so far, and Im just getting started. Be prepared for another long post before the weekend is out.