I've heard the Schroeder Reference, Graham 2.2 and Basis Vector:
- all on the same TT (Teres 340-2)
- same cartridges (Koetsu RSP, Koetsu Urushi, Shelter 901)
- same system, same weekend, same beer or wine, etc.
The Schroeder was simply in another league. The Graham and Vector could not match it for neutrality or transparency. I believe this was the unanimous opinion of the 5 or 6 people listening. The session took place over two long days, but it didn't take two minutes to realize the Schroeder was something special. For most of us our critical listening just flew out the window. We were transported by music. It's a lot of pennies, but worth every one IMO.
My Shelter 901 on the Schroeder sang like I've not heard it sing before or since. It had the dynamics and power it always has, but the Schroeder also uncovered a musical soul I never knew the 901 possessed. The Koetsu's sounded, well, even more like Koetsu's! But the main thing we heard from the Schroeder was music. It provided a virtually open pipeline to the recording. I try not to rave very often. Please understand this was, by a sizable margin, the finest component of any type I've heard.
FWIW we now own a TriPlanar VII. With the right cartrdige it comes closer to the Schroeder's transparency than those other arms, IMO of course. It seems more revealing or perhaps just more fussy about cartridges than the Schroeder. The TriPlanar displays the 901 as a bit overblown or edgy, a bit hi-fi. But put a ZYX Airy on it and you get pretty close to the Schroeder Ref's musical disappearing act.
My $.02...
- all on the same TT (Teres 340-2)
- same cartridges (Koetsu RSP, Koetsu Urushi, Shelter 901)
- same system, same weekend, same beer or wine, etc.
The Schroeder was simply in another league. The Graham and Vector could not match it for neutrality or transparency. I believe this was the unanimous opinion of the 5 or 6 people listening. The session took place over two long days, but it didn't take two minutes to realize the Schroeder was something special. For most of us our critical listening just flew out the window. We were transported by music. It's a lot of pennies, but worth every one IMO.
My Shelter 901 on the Schroeder sang like I've not heard it sing before or since. It had the dynamics and power it always has, but the Schroeder also uncovered a musical soul I never knew the 901 possessed. The Koetsu's sounded, well, even more like Koetsu's! But the main thing we heard from the Schroeder was music. It provided a virtually open pipeline to the recording. I try not to rave very often. Please understand this was, by a sizable margin, the finest component of any type I've heard.
FWIW we now own a TriPlanar VII. With the right cartrdige it comes closer to the Schroeder's transparency than those other arms, IMO of course. It seems more revealing or perhaps just more fussy about cartridges than the Schroeder. The TriPlanar displays the 901 as a bit overblown or edgy, a bit hi-fi. But put a ZYX Airy on it and you get pretty close to the Schroeder Ref's musical disappearing act.
My $.02...