ZYX Airy2-X-SB on Graham 2.2

I have heard fabulous things about the AIRY line.As for the 2.2,when you experiment with damping in the arm's bearing you must re-adjust vta as well as tracking force(FOR EACH PARAMETER CHANGE).At that point if there is still a hardening/brightness then there is a mismatch,BUT,I'll bet that those who found an unacceptable level of performance in this area truly did not have a feel for how INCREDIBLY CRUCIAL the VTA/DOWNFORCE/DAMPING OF BEARING are,and how they all MUST go hand in hand!I've owned a 2.2 for quite some time and am still learning about what I'll call "Micro-Tuning" it.

Dear Cello: Like an expert on ZYX cartridges can you explain this: *** " Do you know that this " weight.. " was not in the original design? wonder why ? or better, ask you why ?. " *** Tks.

BTW, you post: *** " the best cartridge out there at any price..... " ***. about the UNIverse, for you can do this statement you have to compare it against first live music and second with other top cartridges like: Clearaudio Insider, Myabi 47, Lira Titan, Allaerts MC 2 Finish, Dynavector Xv-1, Ikeda REX9, Van denHul Colibri.

If you already do it I would like that you share your experiences on that issue with this forum, but if you don't then your statement have no value at all.

Regards and enjoy the music.
Raul.

Thanks to Larry, Doug, Raul and Sirspeedy. I don't have a lot time because of work lately but I've read all your comments here and in many other threads, and always find them enlightening. Raul you certainly have a way with words but I also respect your knowledge. I'll let you all know how I like the sound of the new setup once I receive it and it settles in. That would be a pre-owned Graham 2.2 and new Airy2x-SB. And I will be sure to follow your post on damping fluid Sirspeedy.

My own 2 cents.Both Cello and Raul.Both you guys are fun to read and good spirited.Quite knowledgeable too.So get off this banter of defensiveness,as it does none of us any good.As for the Live music comparison,you simply can't compare it to what we get from our audio set-ups,and the original thought(I think H.P.started it)is unrealistic.What WE should ALL be doing, and this is a weakness, IMO, of the owners of the most costly stuff,is to really attempt to hear other well set-up systems.That is a really good guage/comparison for which we can then(if we can truly allow ourselves to be openminded to the fact that someone else may have succeeded in areas where our set-up may be weak)try to hear where our own set up can improve in one or two areas.I've learned alot from friends,just by trying to have an open mind.Not a bad idea,heh?

I echo sirspeedy's comments on damping and the Graham. For me at least, it is a slow, time consuming process which is measured in weeks, not days. It takes time for the fluid to settle before the final result can be evaluated. Frustrating for sure, but worth the effort. Who ever first wrote about the critical nature of the damping fluid here on the 'Gon, I owe a debt of gratitude. It changed my perception of the Graham completely. It’s too bad it has taken all these years for this choice bit to get out and become public knowledge.

I ‘m now doing the fiddling part of this process with a Airy 3-X-SB (on a Graham 2.2) which now has enough hours on it to where the top end opened up about a week ago. On that happy event, I changed the loading from 500 ohms to 100 which seems about right. Right now it sounds pretty good and I have been able to tweak out the stridency that showed up when the top end opened up. However, I doubt I’m done with the fiddling.

As it is, the Airy just slaps my Ruby 2 silly. It has the natural instrumental timbre that I crave along with utter transparency across the entire frequency range – or at least as much as you get from Quads. Wow! It captures the sound of both the body and the string of violins, violas and cellos – a feat that fat bottomed girl named Ruby could never manage. The other thing that amazes is how quite the Airy rides in the groove – I can hear so much farther into the music in the soft passages that I ever could with the Ruby.

If you can’t tell, I am thoroughly enjoying the Airy and it has been keeping me up late – a good sign. If the top end continues to open and cause problems, I’ll report back. In the mean time, I’ll keep the platter spinning.

Scott