I echo sirspeedy's comments on damping and the Graham. For me at least, it is a slow, time consuming process which is measured in weeks, not days. It takes time for the fluid to settle before the final result can be evaluated. Frustrating for sure, but worth the effort. Who ever first wrote about the critical nature of the damping fluid here on the 'Gon, I owe a debt of gratitude. It changed my perception of the Graham completely. It’s too bad it has taken all these years for this choice bit to get out and become public knowledge.
I ‘m now doing the fiddling part of this process with a Airy 3-X-SB (on a Graham 2.2) which now has enough hours on it to where the top end opened up about a week ago. On that happy event, I changed the loading from 500 ohms to 100 which seems about right. Right now it sounds pretty good and I have been able to tweak out the stridency that showed up when the top end opened up. However, I doubt I’m done with the fiddling.
As it is, the Airy just slaps my Ruby 2 silly. It has the natural instrumental timbre that I crave along with utter transparency across the entire frequency range – or at least as much as you get from Quads. Wow! It captures the sound of both the body and the string of violins, violas and cellos – a feat that fat bottomed girl named Ruby could never manage. The other thing that amazes is how quite the Airy rides in the groove – I can hear so much farther into the music in the soft passages that I ever could with the Ruby.
If you can’t tell, I am thoroughly enjoying the Airy and it has been keeping me up late – a good sign. If the top end continues to open and cause problems, I’ll report back. In the mean time, I’ll keep the platter spinning.
Scott
I ‘m now doing the fiddling part of this process with a Airy 3-X-SB (on a Graham 2.2) which now has enough hours on it to where the top end opened up about a week ago. On that happy event, I changed the loading from 500 ohms to 100 which seems about right. Right now it sounds pretty good and I have been able to tweak out the stridency that showed up when the top end opened up. However, I doubt I’m done with the fiddling.
As it is, the Airy just slaps my Ruby 2 silly. It has the natural instrumental timbre that I crave along with utter transparency across the entire frequency range – or at least as much as you get from Quads. Wow! It captures the sound of both the body and the string of violins, violas and cellos – a feat that fat bottomed girl named Ruby could never manage. The other thing that amazes is how quite the Airy rides in the groove – I can hear so much farther into the music in the soft passages that I ever could with the Ruby.
If you can’t tell, I am thoroughly enjoying the Airy and it has been keeping me up late – a good sign. If the top end continues to open and cause problems, I’ll report back. In the mean time, I’ll keep the platter spinning.
Scott