VPI Scout ... move to Scoutmaster or even further

I've been thinking of getting into vinyl for a while and have been pondering the same combinations. What about the phonostage? Wouldn't that possibly bring the biggest upgrade for the least amount of money in this setup?

You need a new phono-pre. I would start there. Get your feet wet with some kind of tube phono pre.

Tim

Scoutmaster is a fine set up. But, its a shame not many talk of the Aries 2 with JMW10. As good as the SM is.. the Aries2 offers a better arm in the 10, more substantial mass in the plinth with the same 300 rpm motor, HRX based Platter/ bearing.More dynamics IMO. You can get into one for a few hundred more, but I think its worth the cost. I agree with a tube phono pre. but, the SDS may be over rated IMO.

All excellent observations but rember that pre dollar yopur cartridge and phono stage are going to have a bigger impact on sound.Do what you can as finances permit but also think that comparing your current (excellent) Cart might be taken to a dealer that has other offerings in carts.i And with phono stage the budget concious the Glamm Slee seems to get the nod from all the mags and online revuwers as does the Accoustech for cheap money.Unfortunately it's best to spend what you can (and more into the debt zone ) for everything but don't overlook other componensts than table/arm.Shelter is is an awesome line of carts and Fremmer just wrote recently that beyond having and excellent "house" sound among there whole line the $850 model is simillar to a a model that used to cost over $2K.Plus Harry Weisfeld owner of VPI is ga ga over the Gingko acrylic/rubber ball isolation system for about $300 which he said can make a sound a difference that is like spending $2K more on your catridge.Rigid stand or wall mount is a great idea (kill where you can-a used Sound Anchor of heavy lead is worth the $500-kill all the vibes you can with stands and cones etc.)).I have a $5K extended Aries/12.5 and have though about selling it to get "lesser" 9" arm on the Scoutmaster with and SDS and the Gingko.Some folks I have talked to think I am nuts but I am not sure.The Scout arm is excellent in it's own right and with extra money I can get $1K SDS plus the Gingko.And my extra arm tube will be way cheaper.All I'll give up is VTA "On the fly" which I rarely use.Someone mentioned the VPI cable cable-good idea if you cant find one in it's price ball park you like more (with cables it depends on rest of sytem and what it needs).I am a tube guy.I am using an EAR 834 tube integrated.I think you made a good dollar choice with the Anthem.But when I have spoken to others as great as the ARC may be and as good a value as the EAR 834 phono stage is I have been told it rolls the frequency extremes off and most pros have advised me to stick with SS for a phono stage (perhaps even with yourt Anthem which you might change one day).On other hand the EAR might be just the ticket.But if I have my druthers it's to keep the phono SS for bass slam and clearer highs and feed it to a tube pre-amp (upgrade from your Anthem if you can though it is good performer for the money)or if you really dig tubes (and they are the way to go) get a glass power ampa value company like Quicksilver or Rogue down the line when you can afford it.May excellnt tube pre's by the way have solid state sections for the phono section such as the Kora Eclipse I have waiting in the wings for when I can afford a a good SS amp to mate it with (got a great deal at $1200 that I couldn't pass up so it sits till I can get the ching to get a commensurate SS amp for my German semi horns-Odeon Tossca's).I know this is way beyond your question but but in sum get a tube phono pre is you are going to go solid state with the rest yof your gear but if you look down the line go SS if tubes can be introduced further down chain when finances and "itch" eventually hit you.If the fromer the EAR cab handle many excekkent upgrades.But remberr all of the the Scout mods will pay off but you greatest dollar valube will be from your selection of the phono stage and cartridge.Check out the Shelters just for shits and giggles you might be surprised.And dollar for dollar you will get more from the Cart and phono at for the money than the table/arm and ther mods though they defintely will be imporvements.Lastly call Bes at Music Direct.He'll put you in good stead even if he contradicts all my pontifications.
G'luck
Chazz
P.S not matter how exepensive it is I am a worshirper of the LAST rercord Preservative.The head tech at VPI told me he heard LP's that were treated when new and they sounded like they had only been played ha;lf a dozen times though in fact they had hudreds of spins.I like there power cleaner and make my own home brew fro a general cleaner with my VPI 16.5 vacuum clener but swear by the Last Preservative.Very eepensive but since I buy 50's and 60's jazz original presses that go for undreds of dollars I would'nt play my Lp's without it.Defintely extends life of your collection.There Power Cleaner is excellent to for sticky gunky,smoke or orhtwiose contamintated LP's.I hear Disc Docxtor is the best veryday cleaner (Touramat iis a good one for scractched LP's) but I just can see spending one what I can whichp up myself for cheap.If you don't have a vacuum machine get an Alsop Orbitrac whcich unlike the Discwasher pad justs slops stuff around without gettting LP's clean.Replacement pads cost but whatddya gonna do?Email me if you want the recipie for the homebrew cleaning soolution.I know all of this went way beyonf your query but I spent 6 years in the industry selling and gave the issues some thought.Glad you are one of the 90,000 VPI owners as am I.
Regards
Chazzbo

A somewhat mixed bag of e-pions, all of which appreciated. To upgrade the Scout would cost at least a grand to scoutmaster status without any motor control (why don't motors just do what they are supposed to??) and then perhaps the Ginko thing adding another 300 or so. All told about 1,400. OR sell the Scout netting perhaps 1,200, take another 1,800 (400 more then upgrading)buy the Spacedec and perhaps have a much more worthy table including an arguably better tonearm then the JMW 9. The JMW9 design is terrific but is a bit 'loose'. Fundamentally isn't the Aires table about the same as a scout but perhaps heavier etc? That cost would be well over the Spacedec. A lot to consider in light of the dollars getting so close.

BTW... wouldn't that Ginko achieve the same great results used under any non-suspended table? I admittedly do not have the best base now under my table although one is on the way.

I'm of the mindset to just keep the same cartridge for now. I'm not sure any real money is there in selling a 'used' cartridge... they're so delicate I'd be afraid to buy one used. I've no doubt there are better ones but just how much better for the amount more I'd have to spend. I'd probably save that upgrade for on down the road.

The Anthem phono stage is tubed but if you look inside, there isn't much there in terms of gizmos and wiring. I'm no engineer but the inner workings of it compared to the insides of others (ARC, Sonic Frontiers etc.) is pretty simple. I know there are mods that can be done to this unit and the cost is relatively slight compared to buying a 1,500 to 3,000 phono stage which seems to be the right playground for an improvement phono stage wise. Do mods make sense for that, given there probably are a lot better parts that could have made up the unit.

I don't see myself out of solid state for a pre as I've just one system which has to double for the theatre too. Although I have added another Anthem amp with a tubed input stage for my mains which was a totally worthwile buy.

Still, it seems like everything sound wise has to start at the source. The better the sounds start, doesn't it make each and every other component in the line's job easier to extract the most? If so, the table has to be crucial I'd think.