What seperates "hi-fi" from "mid-fi" in cdp's?


I find that in my search for the right CDP I really don't know what, mechanically, seperates the good from the not-so-good. Although I understand which brands are more highly regarded than others, I don't understand why.
Along those lines, I would also really appreciate a very brief description of the primary working parts of the cdp and how they differ among "levels". For instance, how does the number of bits matter? Or is it just another useless audio stat?
Or, if I am asking a bigger question that I think I am, maybe you could direct me to a good reference for this issue? Thanks JB3
jb3
You may want to limit your selection to those models with
a 24/96 or 24/192 DAC. Players with a 16/44.1 are outdated,
there are several models with the 24 bits DAC to fit every
budget. 24 bit DAC will give you the best sound with regular compact disks. Hope this hepls.
I strongly w/Hepl. Slightly obsolete digital gear sells at a dramatic discount. I would think if you were looking for entry level prices for a CDP, you would go with an older model from a high end manufacturer, like CAL, Wadia, Meridien, EMC, Mephisto, even Sony (for example, DVP7000ES for $2-300.00, which also plays DVDs)
It's the same thing that seperates every other component from great to not-so-great: the power supply and output stages. The better cdp's are usually more expensive because they use premium parts for power supply, filter caps, voltage and current regulation stages, isolation of power supply for signal and operational (LED's, mechanical, controls, etc), shielding, output devices, and overall circuitry design of the output stages.

You can't really go by the type of DAC or drive mechanism alone to judge whether or not you're getting a quality product. Most low end cdp's that vary in price will use the dame DAC for example, but the price difference is based on convenience features. The difference in sound, for example, of the Marantz 63 and the 63SE is night and day - all due to the power supply upgrade in the 63SE.
Robust power supply, top-shelve analog stage, I/V stage, transport made out of metal with delrin or high-grade nylon gears (not plastic), double-sided epoxy PCBs, attention to EFI/EMI shielding, quadeutectic solder, superior circuit board design and layout and ULTIMATELY sound quality.