Thank you gentlemen, Sirspeedy I agree with your observations. Most of my gear is 10 years old or more & I only change when I can hear something better(different). I waited a few years to decide on this analog gear as I wanted a turntable that had a certain look & a suspension that wasn't sprung. I really don't like tweaking, however some things really work (for no apparent reason). The Graham Phantom was coming out so I waited instead of getting the 2.2. The engineering & adjustment capability seemed like the natural choice for me. As well I figured an integrated cartridge & phono cable made sense. I believe the arm is everything expected as the slightest changes can be heard. The Boulder was not even an idea, I was considering the EAR (324 I believe). It was just one of those sweaty palm things when you say OK let's do it. Obviously it is spectacular, but the price is ridiculous.I was using the Boulder for a few months with a Technics 1200 & 12 year old Dynavector XX-I high output cartridge & it made the Technics sould as good as any of my friends high end rigs. Maybe better in some ways although you knew the weaknesses of the turntable. I have never been a big fan of expensive cables as they are all over priced. I have made my own silver cables & still use some today. Believe me the real costs are at least 10 times lower. Butt, as they stick it to me, some of the expensive cables are really better for whatever reason. Some also really suck. It's the same with wine, there are many great values for every taste, however some of the expensive wines are fabulous & with some you wished you opened 2 Buck Chuck. The few of us who love this hobby know price alone does not guarantee musicality. I am greatful to the few manufacturers who strive for greatness & as such I am happy (& lucky enough) to help support them.
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- 71 posts total
- 71 posts total