Trans Temp W, Magic Diamond cartridges - comments


Thanks to these forums, I feel like I know everything there is to know about ZYX's, but has anyone anything to say about the new Transfiguration Temper W? How about this year's cult fave, the Bluelectric Magic Diamond (Lloyd Walker's current favorite.)
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Reb -- I could only find an internal impedance spec for the .3mV version of the Ruby 2. It is 45 ohms (the .34mV might be a little higher.) Its loading range is spec'd at >400 ohms, and our "formula" (25 x internal impedance) predicts an optimum load at 1125 ohms, with a high-optimum of 50% more, which would equal 1700 ohms.

So you can see that, unless you did an A-B and listened carefully, you might not hear that much difference between 1700 ohms and 22k ohms. But make no mistake, there is a difference! I'm not that familiar with Benz, but if they have a rolled-off high end like you say, running them into a higher load might compensate somewhat, but you'd also be "throwing away" some low end output. How much would depend on the cartridge/arm's low end response.
I've owned more expensive cartridges, have a couple of spare VdHuls on top of my refrigerator, but I really like my Transfig. Temper V (.38mv) Very neutral without being un-musical.
Before this thread dies off into the archives. I just wanted to say that I'm absolutely thrilled with the Temper V. If there is one thing I learned in high-end audio that can't be disbuted IMO. It's the fact that it all starts at the source. So, the source in vinyl replay is the cartridge. I find nothing...zero...nada...to criticize about the performance of the Temper V. The sound, true to the source as well. What do I mean by this?? Analog tape, the Temper V sounds like analog tape is playing in my room. What more could one ask for.
I wanted to mention something about the issue of MC cartridge output. Manufacturers use one of two different test records to measure cartridge output. The JVC (TRS-1007) at 3.54 cm/sec, and the CBS (STR-100) at 5 cm/sec.

Make sure, when you are assessing output figures, that you take the cm/sec figure into account.

For example, the Lyra Titan is rated at 0.5mV, and so is the Transfig W. But the Titan's output was measured using the CBS record (at 5 cm/sec) while the W's was measured using the JVC record (at 3.54 cm/sec). Had the Transfig W also been measured using the CBS record, its output would be well over 0.6mV
I use a temper V which I interchange with my Conrad EF1 phono stage. The EF1 can't handle the lower output, so I am using the Shelter currently.

On my system, the Amazon turtable was voiced with Transfiguration cartridges, and I must say it is fantastic.

The Temper V, even with the EF1, is just so right. I've heard VDH cartridges, which I find have great finesse, but are a bit thin and gold (at least in the guise I heard it and I know they have infinite variations). I found the Lyra helikon a bit hard at the top as well.

I must say that Les at Walrus Systems is also a big fan of the Temper. On top of that Hi Fi news are big fans. Vinyl Asylum still rates it as the best sounding cartridge too.

I do wish to have a proper listen to a Koetsu though. The reason being that most of the people I speak to who work in the proffesion of music reproduction have a Koetsu at home to listen to.