To preamp or not to preamp?...that is the question


Folks,

I'm looking to change my CD setup. I'm considering getting a CD player with a digital volume so I can connect it directly to my amp. What are the pros and cons of bypassing the preamp? What CD players have the volume control capability (I know Wadia does)? My preamp is Innersound ( a very transparent preamp), Innersound ESL amp, Innersound Isis speakers.
Thanx for your input.
iasi
I agree with Twl, an analog volume control is preferable to digital, as unless you run the digital volume with little or no attenuation (some Wadia models such as the 860 and 861 have an internal adjustment in the unit to enable you to do this more easily, I don't know if the 831 fits in that category) the sound seems to degrade. However, you should be sure that the analog volume control is as well-executed as the analog preamp you're replacing, which in your case will not be easy. Personally, having heard your system, I'd stand pat!
I tried it and gave up. Medium priced CD players (marantz and Denon) don't have high enough quality volume controls with enough steps. I was told that they can be modified but is it worth it? Secondly, the ones I experimented with only controlled volume for the analogue outputs. This meant that I was stuck with the internal DAC.

My solution was a Creek OBH-12 passive pre-amp until my budget allowed more. The Creek is totally transparent but the IR sensor tended to pick up too many stray signals and was always going louder/softer when I used a different remote. The other deal out there is an Audio Alchemy D/A with a built in volume. The quality is great. Try www.jeffsoundvalues.com or www.upscaleaudio.com to find these.
thanx guys...i was considering the ML 39 used...it fits right in my budget and i heard it does pretty good with volume control (in analog domain)...and Russ, you're not helping man!...lol...
There are pro's & con's to both approaches...
It depends upon the reactive output / input characteristics of your equipment, & how they interact with each other & with the cable interface. The only way to know what's REALLY going to happen is to experiment. My own situation: the player doesn't like longer cabling & it doesn't work well through a passive pre either, even with very short cabling. Works great with an active pre, but still wants a short cable. Your equipment is different so YMMV.
Despite Rcprince's knowledgable endorsement, as the owner of an InnerSound preamp, I can attest to the fact that however transparent it may be, my DAC sounds even better if I take the amp inputs from the line outs rather than the main outs, thereby bypassing the preamp's active gain and attenuation stages, and surrender all control over volume level (my DAC doesn't have that feature). You can test this with your current digital front end by setting your preamp's volume control to "79" (unity gain on this preamp - try to choose audition disks that aren't encoded at very high levels so as not to get blown away, or forget about this test entirely if you never listen at anything approaching the "79" setting), and then listening switching between the regular main outs, and moving the interconnects going to your amp over to either the monitor outs or the processor outs. This gives you the most fair comparision, because you are maintaining the same number of interconnects and I/O jacks in the circuit, thereby revealing the exact contribution of the preamp itself (it's also easier to swap the test conditions quickly this way); the difference you hear once you connect your new DAC directly to the amp and eliminate one set of IC's and jacks will tend to be even greater for their loss, but worse for the added question of your new DAC's attenuator quality, which may or may not equal the InnerSound's. Unless there's something unusual about the electrical interface of your DAC's output and your amp's input, I think you will find a surprising improvement with the preamp's guts taken out of the loop in this test.

I would encourage anybody to try this kind of test to hear just what contribution (or subtraction) your preamp is making to the sound of your digital front end, provided your preamp's unity gain setting can be determined, either through math or through trial and error, and if it has either processor loop outs or unbuffered tape outs. I posted a thread on this topic before (see my threads), but no one who responded at the time seemed to have tried this for themselves.