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I'm totally confused about Hi Rez formats

I was hoping that somebody out there could help this two-channel audiophile make some sense out of the DVD-A and SACD formats. I was interested in exploring these hi resolutiuon formats, but was told by a salesman that the benefits of these formats are only achieved when used in multichannel setups. I went to the dealer under the impression that if one wished to, he or she could simply use such players as two channel digital front ends, and still obtain the benefit of the higher sampling rate and bit rate. I know of one high end player like the Marantz SA-11 that only has two channel analog outputs.

I was interested in testing the waters with a universal player, but I don't want to go nuts and spend thousands of dollars until I have a chance to experiment with the possibilities. Certainly, I have no use for the so-called high resolution formats unless I can truly obtain higher resolution in a two channel system. I am not interested in multichannel audio at the moment. Can somebody please explain things to me.

Thanks!!
mstram
sbank's avatar
sbank
3,378 posts
 
Mgottlieb,
From what I've read, more LPs are being sold than SACDs. If you think that vinyl is limited to "what was available in 1980, or reissues of it" then perhaps you the one "is just sticking your head in the sand. Or somewhere else." Plenty of new titles are available on vinyl. Granted, they aren't stocked at the local Target, but they are available. There are more high quality reissues(including some amazing 45rpm versions, such as the Fantasy 45s) then ever before, and LP hardware continues to develop to a level of quality and price/performance few who gave up on it years ago, would believe.
While I don't dispute that a good SACD on a good SACD player will sound better than redbook on most redbook players, there's still a large gap from a hi-rez format that will survive, let alone flourish. Most SACD reviews imply that the better vinyl versions are superior. That about says it all. Cheers,
Spencer
pabelson
344 posts
 
Rex: Thanks for the correction. I had understood that downmixing was a standard option on DVD-As. I'm a bit surprised that it's not.

Mstram: The last numbers I saw suggested that new vinyl was outselling both SACD and DVD-A (and possibly both combined, though I'd have to check that). That's after 3-4 years on the market. Public acceptance has been non-existent outside the audiophile community, which is sadly very small. The music labels are responding rationally to that fact.
aroc
760 posts
 
I have bought tons of LPs that were of new music made in the last couple years. That stuff is out there. I think my peer Dirtyragamuffin can attest to that as well. For example, I doubt punk music has EVER abondoned the vinyl format. There's a ton of that available. Same for a lot of rock on indie labels. Unfortunately I cannot find new classical recordings on vinyl. That is a pity. Esp. since vinyl is still more or less the standard in consumer fidelity.
rex
245 posts
 
Yes, there is lots of new vinyl. If you're into hip-hop, techno, and indie punk/alternative, or are a DJ or scratcher, there's lots and lots of new vinyl. That's the bulk of it. There's also a steady, but statistically insignificant, re-issue market for those focused on middle-age nostalgia music.

So, a show of hands - how many of you aging Baby Boomers are buying the new vinyl as opposed to re-issues? ;-)

mstram OP
83 posts
 
Rex-
I picked up the Jayhawks' "Rainy Day Music"; Ryan Adams' "Gold", and "Demolition" on vinyl last year, but that's the extent of my purchaces of new vinyl for the last two years.
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