I'll agree with you that they sound remarkable on the Rowlands and the designer Tierry informs me they work wonderfully on the Electocompaniet. I however most enjoy them on My 3Watt Bottlehead Paraglows with Vaic Meshplate 2A3's. While I am limited in absolute SPL's I am not in sheer enjoyment. On most of what I listen to, smaller baroque ensembles, Irish & Scottish Folk, Alternative Female Vocalists and such the volume in just fine. A bit more efficiency or power would be nice on larger scale stuff. However I do not find any solid state or push pull design has the kind of air and timbral interity that these little amps posses. And talk about emotion in my room it is absolutely palpable. The combination of triodes and talons is superlative beyond description. I have had more than one friend comment on how amazingly good my sound is even in the lower frequencies. Yes 3Watts with these gives me solid extended bass with a sense of upper harmonics beyond anything I have heard including the Rowland of these. Db for DB I'll put this combo up against anything. The new cobalt alloy output trannies from Magnequest(They are all sold now) should take these qualities significantly further. I have mine on order. I have been toying with the idea of running Bottleheads best 300B with the soon to be meshplate 300B's on a passive Roc to increase my headroom and dynamics. After a discussion with Tierry I may instead simply go with a powere Roc. Clements discussion concerning the Roc with the Khorus was quite convincing and has me stocking up the piggy bank again. Wow what a hotbed of controvesy this thread has and is creating here. Too bad some of the respondents have not heard the Khorus in a proper setting or under the right conditions. To hear them is to love them. To live with them is to eschew all else. jgw(James W. on the Assylum and Soundstage)
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- 102 posts total
- 102 posts total