It's amazing to read such wonderful educated post filled with knowledgable information from fellow audiogoners. This is exactly why I was so disappointed when Audiogon briefly shut down the forum. I felt as thought my hifi college was closed for good. Back to the thread, I used to play drum in high school as well. As the previous posts put it, it's difficult achieve natural highs without confusing the sound as being harsh or bright. The "SSSSSS" sound can be quite fatiguing. I will try some of your suggestions with speaker placements and I'll keep you posted with the results. Please note that I am some what satisfy with my current system; Dyn 3.3, Classe CA-400 (w/ Whale Elite PWR CRD), Sonic Frontier Line 2, SF SFCD-1 (w/ Symposium blocks), HT Pro Silkway II XLR's, and Transparent Ultra XL speaker cables. However after listening to a live performance, I was a bit dispointed at how my system attempts to replicate such a listening experience. Can you ever replicate live performances or we will eventually get closer, but never achieve that orgasmic listening experience?
How to get more air in the speakers
Hi folks,
I was fortunate enough to attend the add-live Jam sessions at the Silicon Valley Jazz festial last week. While listening to the jazz artists perform live on stage, I started to notice the different sounds each instrument makes when compared to my home system. Some are much more noticable than others. One in particular that stood out is the cymbals. During the live performances, the cymbals sounded so much better. Seemed like there's an airiness between each stroke. Why is this so hard to replicate in our home system? Does some new design which incorporates a super tweeter help bring recorded music closer to live performances.
I was fortunate enough to attend the add-live Jam sessions at the Silicon Valley Jazz festial last week. While listening to the jazz artists perform live on stage, I started to notice the different sounds each instrument makes when compared to my home system. Some are much more noticable than others. One in particular that stood out is the cymbals. During the live performances, the cymbals sounded so much better. Seemed like there's an airiness between each stroke. Why is this so hard to replicate in our home system? Does some new design which incorporates a super tweeter help bring recorded music closer to live performances.
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- 8 posts total
- 8 posts total