Tone wood


When I bought my Fender Stratocaster Deluxe last year, I just knew I wanted a maple fingerboard. Guitarists know that maple has more snap than rosewood. Same thing for the neck: some guitars are wonderful with mahogany (think Gibson, Hamer) and some get it right with maple (Fender for one, Godin, but the list is long) and even solidbody guitars sound different depending, along with other factors I agree, with the tone wood used for the body (swamp ash being a favorite, mahogany sounding warm with lots of sustain generally). My question then:
What is the best veneer for a dynamic box speaker? Will genuine Rosewood sound warmer? Will maple have snap? How about some exotic wood, like Kalanthas? The best fingerboard material is ebony, How about a 100% ebony veneered speaker; it would cost about 500K, but geez that's life. Should I worry about the actual density, glues used etc in the MDF with which they are constructed? It seems to me that if the dielectric's of a metre length of interconnect can affect bloom, and the height and width of the image and even, I have this from a reliable source, the separation between the instruments in the orchestra, surely 12 square feet of veneer and God knows how many sheets of MDF in a well constructed dead sounding box must have an effect on the sound?
pbb
Everything has a different resonate mode and the variation in wood has to have an effect on the sound of the speaker.

I was told that the inside of ALL speakers, regardless of price, are built with particle board. I am not sure how accurate that staement is but it makes sense.
I have been looking into the Sonus Faber Guaneri Homage speakers. They were built to honor the Guareri violins and are made with solid maple. They are quite expensive monitors (around $10K retail) but are said to reproduce the sound of a violin better than most other speakers. Perhaps its the wood and the design of the enclosure. Joel
A veneer should have little or no affect on the tone of a stoutly built speaker enclosure, especially those such as the Avalons stated above. Speakers made out of solid wood such as Diapasons I suspect would have tonal shifts depending on the type of wood used. However, they use very dense hardwoods, which may exhibit more inert characteristics than MDF designs. Roy from GreenMountain Audio uses sheets of sorbothane sandwiched between the MDF and quarter inch planks of hardwoods to eliminate any coloration the purely decorative hardwood coverings may induce. I have Gallo speakers made out of aluminum spheres. They are devoid of any woody or boxy sound, however I have always felt they had a bit of a metallic sound. I don’t know if it is due to the material itself, the lack of any wood in the design, or the sonic character of the CDT tweeter.

My advice on selecting a veneer is to match the color of the wall you will be facing while listening. Choose light colors with light colored grilles for white walls and dark speakers for dark walls/wood backgrounds. This will create more of a psychological disappearing act for the speakers than any tonal difference one could detect between veneers. My speakers are all black, and I painted my listening wall a dark plum. If there is a speaker finish you must have then the other option is to listen with the lights off or eyes shut, but then, what’s the point.
Check out www.northcreekmusic.com. They have a manual on cabinet design and materials that's highly regarded.