Tube vs. SS Dilemma


Hi there Audiogon Community
Need some serious help and don’t know who to talk to but you guys. I have been upgrading my system for the past year and a half now, selling and buying stuff. First I went the tube route, bought an Atlas Magnum Amp, Cary SLP 03 Tube Preamp, was dreaming the liquidy tube dream, was amazed at the upgrade from an old and tired hybrid amp I had. Sources: estoteric DV50 for cd and vinyl via a Lenco TT and Ear Phono. Mainly listen to jazz, classic rock and some bits of classical.
But got a hold of a Mark Levinson Preamp, a 380 model and had a spare Krell 250a amp, hook the esoteric cd player to this second setup and was just blown away, I always thought that my heart would always be glowing with tubes or at least a tube/ss setup, but man am I enjoying the SS turn, the bass carácter of the Krell is addictive.
So my question is: What is happening? Am I just shocked “temporarily” by the ML/Krell combo? Should I just wait for a while and do a second and third shootout between setups? Or the fact that the ML/Krell combo is much better – in terms of the models I have vs. the tube models – part of the reasons that explain the differences and should look for better tube amp/preamp before seriously comparing the two?
As soon as I listened to the ML/Krell combo, my first thought was to keep upgrading my system the ss way, instead of the tube route, but before I make drastic changes want to hear from you guys’ experience. I don’t want to make this a tube vs. ss question, therefore I hope the details of the inquiry help steer away broad answers in that regard.
Should add the speakers I’m using with all these setups: GoldenEar triton 2’s. Thanks in advance. I always enjoy reading the forum, but now I had to ask the question before declaring this a case of mild audiophile schizophrenia.
Thanks.
128x128musicgeorge11
Also I have not seen impedance curve metrics for those Goldenears, but, from what I read and having heard them, I would be willing to bet that they might be a challenge for many amps, cettainly many tube, even some SS, to drive well. It would be worthwhile to find out more about the impedance curve if measured anywhere somehow if available. That would be telling!

Regarding, tube versus SS pre-amp, I love my ARC tube pre-amp, but again there is certainly no rule that says tubes always outperform or even just always sound better than SS. You've tried some things and compared so just trust your ears. Maybe you have not quite found the right tube pre-amp yet. Or maybe what you have is just fine, tubes or not. Trust your ears, not the hype and spin.
I glanced at impedance/phase measurements for the GEs from Stereophile review. Issues present appear to be in teh midrange more than bass. IT appears relatively tube friendly, but different amps might sound much different in midrange, depending. That is consistent with what I heard. GEs were running of NAD amp I believe, and midrange and overall tonal balance accordingly sounded significantly off to me, compared to smaller Aon 3 Ges for example running off similar amp. So in case of Ge Tritons, I think "best" amp could be either SS or tube, depending. Your ears will be the judge.
After looking at the Stereophile review, I suspect that this speaker is better being on the four ohm tap than the 8 ohm tap of many tube amps.

Musicgeorge11, it is also obvious that you had some bad tubes in your equipment- refer to your comment about channel balance. If the tubes are bad all bets are off! Any tube amp or preamp will play center fill information just as well as any solid state- often better. But not if you have bad tubes! I prefer tubes to transistors generally, but if the tubes are shot I'll take the transistor amp 'till the tubes are fixed.

Speaker/amp matching need not be such a 'dark art', see
http://www.atma-sphere.com/Resources/Paradigms_in_Amplifier_Design.php for more information.
I would agree that there may be a tube problem if there is a channel imbalance problem only with the tube linestage, but not with the Levinson set at even balance. But, if you used the Levinson balance control to get that dead center image, that is another issue (one reason why I insist on a balance control on any linestage I own).

The ability to change channel balance in .1 db increments with the Levinson (and doing so by logic switching of a single set of stepped attenuators instead of using another set of balance control attenuators), is such a useful feature. While it is challenging to hear a one db change in overall volume playing music, it is actually easy to hear a .2 db change in channel balance. The incredible control flexibility is the primary reason I've kept the Levinson even though I haven't used it for a long time (in a friend's system).
To the OP- if you want some advice regarding tube rolling in your pre amp, I might be of some assistance. I will gladly share what I come to know as a tube roller/collector/hoarder esp. with 6SN7s. One thing I don't have experience with are the newer expensive Chinese Treasures and Psvanes.