Hi John,
Well you certainly understand my point of distinction within the audiophile
vernacular. Here's my example of transparency. If you were in a room and
someone is playing their instrument (no microphone) there's nothing
between you and the sound (ultimate transparency). You'd hear all the tone,
timbre, pitch and harmonic overtones that instrument has to offer. The
sound will be naturally full, rich and vibrant just as they're intended to
sound. They won't sound lean, bleached, two dimensional and
sterile(Pseudo transprency). I'm reminded of this every time I visit the local
jazz clubs (without exception).
Charles,
Well you certainly understand my point of distinction within the audiophile
vernacular. Here's my example of transparency. If you were in a room and
someone is playing their instrument (no microphone) there's nothing
between you and the sound (ultimate transparency). You'd hear all the tone,
timbre, pitch and harmonic overtones that instrument has to offer. The
sound will be naturally full, rich and vibrant just as they're intended to
sound. They won't sound lean, bleached, two dimensional and
sterile(Pseudo transprency). I'm reminded of this every time I visit the local
jazz clubs (without exception).
Charles,