Sound's real, you don't get it man, it's a COMPRESSION DRIVER, there's huge energy in that 2 incher. Studios need to be able to play LOUD, musicians demand that, and there have been more of those drivers used in mastering recordings, over decades, and still in use, than any cone driver you can name. There's a reason. Dynamic as all get out, efficient, and as you yourself mention, a wide range driver so no crossover garbage in the midrange, no different voices from different drivers through the critical regions. Nearly all cone speakers sound like a box of drivers after experiencing a wide-range, low distortion driver like that.
But unlike you, I don't sell retail, I have no vested interest in any speaker products, so I understand you need be aware of where your "bread is buttered".
