I think the Maggie 1.7s finally blew threw most of the Maggie stereotypes. True, there still isn't much bass below 50 Hz, but the quality of the bass is excellent and I already had a pair of small, fast subs to fill out the bass. Unlike Maggies' previous reputation I find the 1.7s involving, transparent, extremely quiet (I didn't know how much cabinet noise there was until I got some speakers without cabinets), quick, dimensional, and phase coherent.
01-13-14: Ctsooner
You have answered yourself a few times in your posts I think. Sounds like you have had Maggies and are sick of it's drawbacks. No way you can make a Maggie be more dynamic in your price range.
They also aren't hard to power to satisfying listening levels. I'm powering them with a 100 wpc amp in a vaulted ceiling living rooom that opens onto the front hall and dining areas. In fairness, the amp is a Perreaux PMF 1150B, so it has probably 200 wpc avaiable into the 1.7's 4-ohm load. I haven't had to drive the amp anywhere near that level.
Although I love what they do with symphonic music, I also love them for choral music, jazz-based singers (Sinatra, Bennett, Krall, Holly Cole, etc.) a capella vocal groups, soloists and ensembles/combos of all sizes. They are captivating on classic rock--Pink Floyd, The Who, Beatles, Steely Dan, Rod Stewart, Clapton, Santana, etc. With my little subs blended in, the 1.7s do very well on every kind of music that I like, and I listen to everything but hip hop and thrash metal.