"So the question then becomes: Doesn't the presence of that inductive component of the driver impedance (especially in the case of the tweeter) cause a deviation from first order 6 db/octave behavior? And if so, to a degree that may audibly compromise phase and time coherence? And if so, is that or can that be compensated for in other aspects of the speaker's design?"
ABSOLUTELY, I had stated earlier that a simple cap seldom produces a 6db slope for that exact reason, no speaker that I've seen shows purely resistive(other than a ribbon). In the crossover, we can only lower impedance of a driver with compensation circuitry. A simple pad in series on a tweeter will raise impedance, but also cause you to need a new crossover. All this is the difference between electrical vs acoustical crossovers, cause & effect. 6, 12, 18 or 24 db per octave crossovers on paper, often end up being larger slopes because of the natural inductance, impedance and capacitance of a driver that must be taken into consideration in the design itself. In my experience without impedance compensation work, a driver with 6 db filters are still TYPICALLY 10 to 20 degrees out of phase... Any speaker that is with + or - 15 degrees of phase for its useable response curves in my mind IS phase coherent.
ABSOLUTELY, I had stated earlier that a simple cap seldom produces a 6db slope for that exact reason, no speaker that I've seen shows purely resistive(other than a ribbon). In the crossover, we can only lower impedance of a driver with compensation circuitry. A simple pad in series on a tweeter will raise impedance, but also cause you to need a new crossover. All this is the difference between electrical vs acoustical crossovers, cause & effect. 6, 12, 18 or 24 db per octave crossovers on paper, often end up being larger slopes because of the natural inductance, impedance and capacitance of a driver that must be taken into consideration in the design itself. In my experience without impedance compensation work, a driver with 6 db filters are still TYPICALLY 10 to 20 degrees out of phase... Any speaker that is with + or - 15 degrees of phase for its useable response curves in my mind IS phase coherent.