Bifwynne, I understand the general thrust of what you're saying regarding use of high order crossovers, but it's not that simple. I see you pulled out that favorite red herring whenever this subject comes up in Magico discussions; Atkinson's measurements of the Q5. Firstly Magico themselves never claimed the S5 was 100% time coherent (though I suspect it gets close).
Secondly, Q5 was released over 4 years ago and was the first model in the Q series. The S5's crossovers (like Q7) are an evolution of the Elliptical design in the Q5, though obviously tailored for that speaker. You described the 4th order crossover used in the S5's as a design compromise as though the crossover design was a conventional 4th order crossover. It is not. Martin Colloms provided this summary of S5's crossover technology in his review for Hifi Critic -
"Crossovers are tailored to deliver flat pass-band responses with superior and symmetrical phase summation, and faster out-of-band roll-offs using modified 'ellipticalÂ’ filters. Copper foil inductors and special Mundorf capacitors are used", and further noted in conclusion - "..itÂ’s clear that the S5 is the product of years of careful research into materials technology, room matching, decay resonance, group delay and distortion control, a concertedly global approach to total loudspeaker system design to try to make the loudspeaker disappear and thus not constitute the usual, recognisable and characterful link in the sound reproducing chain. In achieving this very high standard of natural dynamics, very low distortion, vanishingly low coloration, very low fatigue, exceptional transparency and an almost magically powerful, speedy, upbeat bass, the Magico team should be applauded."
With the above said, achieving absolute time and phase coherency does not guarantee good sound as Doug Schneider noted in this article relating to the Soundstage review of the S5's - http://www.soundstagehifi.com/index.php/reader-feedback/668-magico-s5-review-and-time-and-phase-accuracy
Agreed re: Wilson.
Secondly, Q5 was released over 4 years ago and was the first model in the Q series. The S5's crossovers (like Q7) are an evolution of the Elliptical design in the Q5, though obviously tailored for that speaker. You described the 4th order crossover used in the S5's as a design compromise as though the crossover design was a conventional 4th order crossover. It is not. Martin Colloms provided this summary of S5's crossover technology in his review for Hifi Critic -
"Crossovers are tailored to deliver flat pass-band responses with superior and symmetrical phase summation, and faster out-of-band roll-offs using modified 'ellipticalÂ’ filters. Copper foil inductors and special Mundorf capacitors are used", and further noted in conclusion - "..itÂ’s clear that the S5 is the product of years of careful research into materials technology, room matching, decay resonance, group delay and distortion control, a concertedly global approach to total loudspeaker system design to try to make the loudspeaker disappear and thus not constitute the usual, recognisable and characterful link in the sound reproducing chain. In achieving this very high standard of natural dynamics, very low distortion, vanishingly low coloration, very low fatigue, exceptional transparency and an almost magically powerful, speedy, upbeat bass, the Magico team should be applauded."
With the above said, achieving absolute time and phase coherency does not guarantee good sound as Doug Schneider noted in this article relating to the Soundstage review of the S5's - http://www.soundstagehifi.com/index.php/reader-feedback/668-magico-s5-review-and-time-and-phase-accuracy
Agreed re: Wilson.