Size of Midrange Drivers


Why, in this day of super materials, do designers still use
mini midrange drivers?
Can we expect realistic dynamics from a five inch speaker?
My former Audio Artistry Dvorak's used dual eight-inch
midranges (D'Appolito config, paper cone) and sounded fine.
I'm thinking great dynamics = lots of air moved quickly.
I'd like to hear dual eight inch diamond coated berilium with 1000 watts behind them!
I think when we're at the point where the wave launch gives you a skin peel,
we'll be close to proper dynamics.
128x128dweller
johnnyb53, I get it. the point is do the likes of you & Dweller get it?
Once again: Tannoy smart as they are did not try to do any more midrange with the 12" driver - that was my point. Hopefully you got that?
thanks.
That was sloppy editing on my part. I was totally agreeing with you. Where I said "apparently you refuse to catch on..." I was addressing Dweller, not you.

I was trying to corroborate your assertion about the 700 Hz crossover, that it's well below the frequency where a 12" driver would start beaming, and that the Tannoy 12" driver functions more as a woofer than as a midrange. I don't usually get that jumbled up in pronouns and their antecedants.
Thanks guys for trying to teach an old dog new tricks.
I'm looking for a way to get a more life-like listening experience.
You're trying to tell me why I can't have it.
Bombaywalla --

To reiterate from an earlier response of yours (to the OP):

The Tannoy Kingdom Royal has NO MIDRANGE driver contrary to what you seemed to allude to.
Their new HF compression driver tweeter is doing all the midrange.
Like you seemed to indicate - Tannoy is not foolish & they wouldn't put a 12" midrange! The 12" unit does upper bass to 700Hz & the lower bass unit does the bottom-most octave.

Well, the Tannoy Kingdom Royal has got a midrange driver (sorely needed to play midrange) - that is, not only one but two of them: the 12" unit for the lower mids, and the compression driver for the rest above 700Hz.

In your reply to me:

no dispute here Phusis. I was not stating otherwise. Merely stating that the bulk of the midrange freq is handled by their new tweeter. Yes, freq below 700Hz is handled by the 12" mid driver which seems to be more suited to the lower freq. Tannoy smart as they are did not try to do any more midrange with the 12" driver - that was my point.

Given the choice of two well-implemented speaker systems I'd not necessarily choose the one where a compression handles midrange duties from 700Hz up (which, in effect, would likely be a 3-way setup, or more) compared to a 12" unit handling the mids up to 1.3kHz (which, crossed over to a compression driver, could be a 2-way ditto).

You seem fairly adamant in claiming that a 12" can't do midrange much above 700Hz; I say it can - and certainly the beaming limit for a unit this size (with an effective cone diameter of ~10") is not yet reached, even at 1kHz. In the case of the Tannoy's mentioned I do believe they made the right choice crossing over the 12" unit no higher than 700Hz, also being that the compression driver here is augmented by a "supertweeter."

You continue:

good advice Phusis. I keep an open mind while keeping Physics in my mind at the same time. Hopefully you do the same....
Timlub tried to explain some of the physics to you but it went over your head. I tried too in my very 1st post & it looks like that went over your head as well.
Well, you can take a horse to water but you cant make it drink...

I find the writings of Mr. Timlub enlightening, indeed there's something to learn here, but while I appreciate your addressing "physics" I believe you adhere to them in a rather non-flexible fashion that cares more about numbers than, it would seem, actual listening impressions - or at least you're without the positive experience of a 12" playing midrange above 1kHz, in which case I respect. I just don't share the same experience.

Something went over my head? I don't think so, but while I'm glad to learn I have no problem going contrary to stated physics if my ears tell me otherwise, and in my case and with my speakers there's no seeming dissonance between what I hear and what physics should imply.
but while I appreciate your addressing "physics" I believe you adhere to them in a rather non-flexible fashion that cares more about numbers than, it would seem, actual listening impressions - or at least you're without the positive experience of a 12" playing midrange above 1kHz, in which case I respect. I just don't share the same experience.
I have a fair bit of world-wide listening experience & have listened to a lot of speakers (& a lot of electronics) yet to but yet to have a positive experience of a 12" midrange playing midrange. If you look at my systems I do own a Tannoy DMT10Mk2 which has a 10" playing midrange all the way up to 1.4KHz. It sounds good for the most part & is just fine for the use that I've put it to but when I had a time-coherent speaker with a 4.5-5" Eton midrange, the Tannoy was nowhere near that quality.

Johnnyb53, thanks much for the clarifications.
08-25-14: Dweller
Thanks guys for trying to teach an old dog new tricks.
I'm looking for a way to get a more life-like listening experience.
You're trying to tell me why I can't have it.
it appears to me that you have, very broadly speaking, 2 choices:
a speaker with large diameter midranges (like 10" or 12") that are crossed over in the low midrange region &
a speaker with a more conventional 4-5" midrange driver crossed over at the upper mid-bass

The large diameter driver speakers seem to be made of proprietary drivers - from Altec Lansing, JBL, Tannoy, RCA, Westinghouse & your former Audio Artistry Dvorak. If there are any other names other members can please chime in. And, these drivers, being proprietary are not available to the general public for other speaker manuf to make speakers. So, if you are convinced that a large midrange is what you want you'll have to go with these limited speaker brands.

OTOH, you can have a perfectly fantastic realistic/life-like listening experience with a 4-5" midrange if you get yourself a time-coherent speaker. This is a really -l-o-n-g- discussion & I will NOT go into it here. Please read the "Sloped Baffle" thread (which has some 220 posts) here in the Speaker forum.
http://forum.audiogon.com/cgi-bin/fr.pl?cspkr&1403209611&&&/Sloped-baffle
Concentrate on Roy Johnson's posts as to why time-coherence is important in music playback & how it maintains the correct information in the music signal & why it delivers a realistic/life-like music experience. There are a few speaker manuf making these time-coherent speakers so unfortunately once again a limited choice. That's the way it is - most speaker manuf do not understand the physics to make a time-coherent speaker - they think that time-coherence is one of many parameters that can be traded-off with some other speaker design parameter. It is not! Either a speaker is time-coherent from the get-go or it is not. The speaker manuf needs to select time-coherence as the design paradigm & then solve all the speaker manuf issues within the time-coherence paradigm.
It is my belief (becoming firmer & firmer as I listen more to various systems & talk to others & their disappointing listening experiences) that large amounts of phase distortion from the speaker is what's destroying people's listening pleasure & causing people to make remarks like
I'm looking for a way to get a more life-like listening experience.
If you had a time-coherent speaker you wouldn't be saying this. Of course, not everyone participating in this thread has a time-coherent speaker & not everyone in this thread is complaining of a lack of realistic experience. I.E. many people with NON time-coherent speakers are very happy. I'm finding out that today a lot more people are dissatisfied compared to the year 2002/2003 when I was 1st exposed to time-coherence. So, it's good to see that more people are realizing that the life-like experience is diminishing. This awakening is good - hopefully it'll make the speaker manuf change their design philosophies....