I am sure some of you have noticed that different records seem to need a slightly different VTA. The reason for this is two-fold; first the LP is a different thickness. The second is the the cutter stylus on the cutterhead that cut the lacquer for the LP may have been set at a slightly different angle. This is why two LPs of the same thickness on the same label may still need to have two different settings.
The cutter stylus has the job of cutting the lacquer. To do this it is shaped a certain way, heated to a particular temperature, set to a particular angle (cutter height) and tracked at a certain pressure. What works on one day in the mastering lab may not work the second day as the lacquer can be different, even if only by temperature (they cut easier on warmer days for example). So the mastering engineer has to be constantly aware of the condition of the stylus and keeping test lacquers on on hand to get immediate feedback on the effectiveness of his settings.
So this may not be as exact a science as you all might be thinking- it is as much an art. The 92 degree value is an excellent approximation, just as is getting the front of the cartridge to be perfectly perpendicular to the LP surface. This is why it is helpful to be able to adjust the VTA on the fly, like you can do with the Triplanar tonearm.
The cutter stylus has the job of cutting the lacquer. To do this it is shaped a certain way, heated to a particular temperature, set to a particular angle (cutter height) and tracked at a certain pressure. What works on one day in the mastering lab may not work the second day as the lacquer can be different, even if only by temperature (they cut easier on warmer days for example). So the mastering engineer has to be constantly aware of the condition of the stylus and keeping test lacquers on on hand to get immediate feedback on the effectiveness of his settings.
So this may not be as exact a science as you all might be thinking- it is as much an art. The 92 degree value is an excellent approximation, just as is getting the front of the cartridge to be perfectly perpendicular to the LP surface. This is why it is helpful to be able to adjust the VTA on the fly, like you can do with the Triplanar tonearm.