Damping the analogue "setup"


Friends,
I am fighting this issue for the last 1 year or so with my TT setup. I am a beginner in analogue playback but I use some decent equipments to play music. My setup is:
Nouvelle Platine Verdier
Naim ARO Tonearm
Lyra Skala cartridge
RCM Sensor Prelude phonostage

All the equipments are placed on wooden rack (made of Ebony) with spikes. The problem is, the overall sound can vary vastly from lean-strident to round-warm very quickly based on what kind of spike base I use underneath the rack. A typical metal (aluminium, steel, brass) spike base makes the sound lean and fast to an extent where it really bites. Whereas using a softer metal (cast iron) or rubbery/woody substance below the rack makes for a slow and boring sound.

It is not just the turntable that reacts so severely but also the phonostage. Placing the phonostage on a softer or a more damped isolation footer immediately reduces the grit in the sound. I do not hear such drastic reactions from my preamp or power amp. My guess is, the complete analog front end needs some level of damping. How do you go about it ? How do you choose the platform that will support the turntable setup firmly so that the sound doesnt lose its energy but still damp it adequately ?

For the moment (thankfully) my ARO is an un-damped unipivot designed to work without any damping fluid.
pani
From the OP:

The problem is, the overall sound can vary vastly from lean-strident to round-warm very quickly based on what kind of spike base I use underneath the rack.
Most of the comments above, including Halcro's insights, assume that the sonic character of Pani's table varies with the spikes beneath his rack because the spikes provide different degrees of isolation from floor-borne vibrations. While such vibrations certainly exist, in my opinion they're not the main source of what Pani described. Other vibration sources are more likely to produce the described effects.

The other gear on the rack is a noise source, both from its native vibrations and from the musical energies it's reproducing. The turntable motor is another noise source, and some PV motors are notoriously noisy. Stray energies leaching from the stylus-groove interface are the most influential noise source of all, since they're closest to the pickup.

These noise sources produce stray energies in the audible band, not just at 2-10Hz, and they're physically and acoustically closer to the TT than vibrations from the floor. The footers beneath a rack have a profound influence in a setup's ability to drain these vibrations away from the TT - or not.

Reducing stray energies in the 2-10Hz range will lower the system's sound floor, but it's unlikely to change the sound "from from lean-strident to round-warm" or vice-versa. IMO, such changes are more likely due to changing stray vibrations in the audible frequency range, such as are caused by the factors noted above.

That said, a wall mount such as Halcro suggests would address both structure-borne and equipment-borne vibrations, as it would isolate the TT from both. They'll have less effect on TT motor noise and vibrations emanating from the stylus-groove interface, which must be addressed by other means.

It's far from a simple problem and there is no single solution.
Just in case ,it hasn't been mentiooned already on this thread i suspect in most cases the best sonic results will be obtained with no rack, i.e., placing the components directly on the floor (on spikes). Most racks actually amplify and exacerbate the structureborne vibrations. Yes, I realize racks look cool and are excellent for organizing things. Another source of vibration, again, in case it hasn't been mentioned, is the acoustic waves generated in the room by the speakers, you know, depending on how loud the music is playing. Sound pressure Peaks in the room can be 6 to 8 dB or higher than the average level in the room.
I have found that Doug/D is right again. I live in Arzona with many dry riverbeds close by. In these beds lie rounded rocks. i was floored how these really help my electronics. I should post pictures of these 5-8 pound or so rocks. They look a bit silly on my amp, preamp, CD player, but boy do they help.
String,

Judging by the photo on Joel Durand's homepage, one of his tonearms would totally rock your world. ;-)

Seriously, a bowling ball on top of my washer or dryer provides a similar benefit. The additional weight lowers the frequency and amplitude of spurious vibrations, and it has nothing to do with vibrations emanating from the floor.
Seriously, a bowling ball on top of my washer or dryer provides a similar benefit.
Now there's an idea.....
Perhaps a cricket ball on top of the turntable will solve all structure-borne feedback problems?