Graham Phantom Anti-Skate. Is it effective at all?


I've had my Phantom Supreme over a year now, and for the most part it's been a pleasure. Beautiful build & sound; awesome VTA and azimuth adjustments. My main hangup had been the headshell; getting a Koetsu to sit flat on the 10" wand seemed impossible because the correct overhang pushed it all the way to the back, behind the main headshell points of contact. Finally I just used 2 plastic washers as shims to get a nice flat mount.

Now my main concern is the anti-skate. I'm not sure if all Phantoms are this way or if it's an issue with my unit. I can't seem to get an effective amount of anti-skate. My preferred method for adjusting anti-skate is to drop the needle in some dead-wax before the label (NOT into a lead-out groove) and adjust so that the stylus creeps *slowly* inwards. With my Graham, I cannot achieve that...it always moves quickly inwards no matter how far out I set the weight. Even physically pushing down on the weight doesn't seem to have much effect in swinging the arm. To me, this seems like the mechanism is not effective, as if I'm running without any compensation. This is very unlike my experiences with a Fidelity Research FR64fx (weight and fishing line) and Clearaudio Magnify (magnetic) -- both have a very noticeably effective anti-skate mechanism, which I can easily dial-in as described above. In fact I just setup a Magnify...it was great!

On my Graham, the pulley & rope system seems to be correctly in place. But without a 2nd until to examine, I can't determine whether this is normal. Could other owners/users of Graham please comment on their experiences with its anti-skate? The situation is OK for now -- I burn hours on my good cartridges very slowly and sparingly -- but I'd rather not have my nice cartridge seeing asymmetric wear over the long-run.

-- Mike
128x128mulveling
For precision, I should have said: "...and the *deleterious* 'mediation' of this force through the elasticity of the cartridge suspension would occur only if the A/S force is being met with a countervailing force at the stylus tip...."
Because unipivot arms are balanced on the point of a pin, if the arm is set up properly it will compensate for any nonlinearity elsewhere.
My vinyl experience over the years has not included LOMC's or other cartridges having relatively low compliance, such as I presume most of those participating in this discussion are using. FWIW, though, using MM's and MI's having relatively high compliance (primarily Grace F9-E variants, including non-Ruby, Ruby, and Soundsmith re-tipped Ruby versions), primarily on a Magnepan Unitrac unipivot arm, with VTF generally set in the upper part of the recommended range for the particular cartridge, I have over the years consistently found that:

1)Left or right deflection of the cantilever, as viewed from the front of the cartridge when playing a record, will closely match the corresponding angle (nominally straight ahead) that is assumed by the cantilever when the stylus is raised above the record if anti-skating is set to approximately 50 to 65% of the amount recommended for the particular tonearm at the particular VTF.

2)A setting can be found in that range which will result in imperceptible left or right cantilever deflection at ALL points on the record.

3)Modest deviations from that amount of anti-skating force (either higher or lower) will ALWAYS (IME, as described) produce clearly perceivable sideways deflection of the cantilever while playing a record, which will NOT vary perceptibly as a function of what part of the record is being played.

4)I have never tried an anti-skating setting approaching zero, because given the foregoing it would seem absurd to do so in these particular circumstances.

Hopefully that datapoint will be of some usefulness in the discussion. Best regards,
-- Al
Dougs point about the anti skate been applied to one end of the cantilever and the skating force being applied to the other is quite correct. However IF one has checked that the cantilever is straight, and not being pulled in one direction or the other whilst playing ( assuming one can find a record that is not eccentric ) then this argument has less weight. In terms of the physics then the effective mass and cartridge compliance come into the calculation. The issue here is that not many cartridge manufacturers specify the lateral compliance, and in my experience some low compliance cartridges are quite compliant in the horizontal plane and vice versa.

Furthermore if a cantilever is leaning one way or the other, then clearly the magnets or coils could be sitting in a position where there is more non linearity within the electrical/magnetic fields.

Many arms have inbuilt anti skate anyway. In the case of the VPI's the twisted loop of tonearm wire is far too stiff in my view and exerts both an anti skate and a rotating force affecting azimuth. In other arms the tonearm wire is often impeding free movement in the bearings as John pointed out.

Antiskate systems themselves can be problematical - spring, hanging weight, elastomer thread, weighted lever - they all have their pros and cons. It is a horses for courses scenario where you end up, but the process for determining the optimum ( or "none" ) anti skate should be consistent.

As an aside, whilst having a hiatus from audio, I used a Shure V15Vxmr ( with stabiliser brush removed ) for about 10 years on an ET2 linear tracker ( high horizontal mass, no skating forces ). I had added a little magnetic damping to the bearing tube motion using the eddy fields generated from the motion of the tube across the magnets. After 10 years the original cantilever was still dead straight and the cartage was sold for more than I originally paid.
Doug:
I don't expect you to defend Stringreen. I addressed you and him as you were both in the no- antiskate camp, and you had agreed with his point.

You said
Skating forces put an inward bias on the stylus. The stylus wants to skate inward but is constrained by the inner groovewall.
This is incorrect. It is the arm that pivots inwards because of the resultant force produced by stylus friction in the direction tangent to the groove and the restraining force in the direction of the arm pivot. The stylus, on the other hand, is actually being pushed upwards and outwards against the compliance of the suspension as the cantilever pivot moves inwards.

However, so long as steady contact is maintained with both groovewalls, no distortion will occur. If the stylus traces the grooves accurately, it will reproduce accurately (for its part).
As the stylus is pushed up the 45 degree slope of the groove, the VTF on the opposite face decreases.
Applying antiskate pulls the arm (and therefore the cantilever pivot) outwards thus equalising the VTF on both channels. The inward and outward forces are then equal at both the stylus and the cantilever pivot, as they are joined by the cantilever, and the plane of movement of the cantilever is therefore vertical. If there is no antiskate (intentional, or otherwise via wiring) then the forces must be unequal, and with enough VTF, while the stylus may track correctly without the distortion due to low VTF on the right channel, that channel will have appreciably more tracking force than the left. And any alteration of VTF will still vary downforce disproportionately.

Arms are designed to have a mechanism to allow some form of compensation for skating force, as the force cannot be wished away. It is what designers do. It is good basic arm design, like having variable VTF. It is for designers who don't wish to include it to try to explain their decision.

Whether is is well implemented, or compromised by wiring torque, or the user wishes to use it, is another matter.

Stringreen:

In my previous post the last sentence was wrong - it was a typo.

To the OP, Mulveling:

If all set up parameters are correct, and an arm cannot supply sufficient antiskate to eliminate right channel distortion, then there may be stiffness in the bearing (not usually the case with unipivots) or drag in the internal wiring.

John

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