Trans-fi Terminator T3PRO opinions please...


I am starting to think of trying a T3PRO tonearm, and would appreciate comments from you who encountered it. I am really happy with my current analog setup, but have never tried a linear tonearm...some of my concerns are the noise the pump potentially makes - what type of pump do you use in USA (Vic can only supply 220V) and is the tonearm tricky to setup and maintain in 'perfect setup'? Is it very 'tweaky' (I do like tweaking to a certain extent)? Do you think the VTA digital display is worthwhile? Which cable option did you opt for (I am thinking the cart-RCA silver wiring)?

If you own it - which tonearms have you compared it to?

Any special setup/tweak advise with regards to this tonearm?

Many thanks in advance for sharing your thoughts on T3PRO and have a GREAT one!
go4vinyl
I agree with all said above. I have never read a negative report on the TRANS-FI.
You can tweek as much as your OCD urges need. I use 2 of Tomahawks with silver leads to phono amp, to make changes faster. Can be dialed in in 15 minutes. Take a look at Dgarretson's system page to see some of his mods.

Vic is a pleasure to work with. He sent me an adaptor free, 2 years after I installed the arm.
Just to add my 2 cents, have been running the T3Pro, w/recent Tomahawk wand upgrades, on Vic's Salvation direct rim drive tt.
Concur w/all that the main consideration is getting the arm PRECISELY level. Once that is achieved, day to day use of the arm is a doddle. I particularly like the azimuth adjustment on the arm, two spikes to independently zero in the correct setting. A little fiddly to use, but my cart installer really likes it.
My next step is to get the pump in another room, but tricky since I live in a studio apartment! Maybe at next move.
Have gone for the continuous cart-phono wiring to obviate need for an extra set of connectors.
So if, and only if, you can get the arm level, go for it. It (together w/the tt) brings a neutrality to proceedings, where you can analyse to your heart's content, but also allow the unique warmth of analog to wash over you.
THANKS TO ALL for taking the time to share this detailed info - it's truly all info needed. I have had my eye on it since its inception (I think it was close to 600 USD at the time - much improvement has been done since then obviously), but was concerned about the noise level from the pump (I have a tiny listening room and no way to stick it in another room) and the obvious obstruction of placing records on platter.

I now have a 13 inch Robert Fuchs tonearm (so inching closer to linear ;-) which really and truly is an incredible piece of audio gear - however, with this info (that you kindly provided) I am leaning ever more towards finally (overcoming my fears) and trying one out.

Terry9 - please let us know how it goes with the Hiblow pump when you get to it (I imagine the choice of pump affects the sound).

THANKS again and have a GREAT one!
I bought a Starrett 98-8 precision machinist's level for use with the Salvation and T3Pro. It seemed like ridiculous overkill at first, but once I used it, I found it worth every penny (~$130 on Amazon) in setting up the unsuspended Salvation for level. It makes various other levels typically used on tt's seem like toys. Highly recommended.
Tms, and others, how have you achieved perfect level for the T3Pro? I use Vic's Salvation, and like many tt's the Salvation has 3 adjustable feet. I've always struggled w/getting ALL three feet on the tt to be equally level - whenever I get two feet correct, the third goes out of level.
I've settled on getting the zone that the arm tracks down the platter (ie the limited line the cart tracks down the platter) being precisely level, even if this means some other zones on the platter/feet may be a little out.