the magic of power cords


We need a bit of magic in our lives. It might be the reason why audiophilia has such traction among people from all walks of life.

The neophyte's skepticism is likely proportional to the level of technical training - the more you think you know, the stronger the conviction that, for example, the power cable business is a sham: "electrons are electrons" and "if the house cabling is bad, why would the last 3 feet matter?". The stronger the conviction, the more humbling the experience of hearing the power cord magic in action.

A few years back a Sophia Electric amp came into my hands with what looked like a generic power cord. The few non-generic cords I tried (Audioquest AC15, Audio Magic XSteam, Shunyata Research Diamondback) made a significant difference for the worse. The thin, black, generic-looking original cable allowed for a clarity and definition of voice and instruments that got totally washed out with the aftermarket cables. A night-and-day difference. No doubt - the power cord made a huge difference - but not in the expected direction. The Audioquest AC15 was particularly bad.

For awhile, I kept trying them around on all incoming equipment (be it DACs, preamps or amps). The AC15 sounded so bad every time that after awhile I wasn't even trying it out.

Many years and few amps later - something seemed not quite right with the presentation of my KAV-300i: slightly dull upper bass. Power cord: Zu Birth. Finally (after multiple interconnects and few speaker cable swaps) I pull out the power cord stash (same as above). This time around the AC15 was the great surprise: it allowed for clarity and macro dynamics well above the others.

What do I learn? Nothing, really. When is shielding important? When is gauge? How about the conductor or the insulation? How come there isn't one "best" design?

The magic continues.
cbozdog
It's not magic, it is science. If you change the original physical characteristics of any electrons elements (or anything else in the world). It will be different not better because your system now is not representing of the original intent.
For me it was the last thing to manipulate. I had attended to vibration, I had dedicated lines, and on a whim, I bought a PS Audio Premiere Power Plant. It made such an improvement I bought a second for my video system. I picked up a used PS Audio power cable and replaced the hospital grade 14 gage power cord. An amazing improvement! So, I replace all the power cords with PS Audio cables. The result was worth it, the background is more quiet and there is a hologram-like vividness to the sound. I expect it to improve as they break in more, they have only a few weeks on them. I think they made more difference than interconnects. I would suggest it is a final step. I might not have been a believer until I experienced it for myself.
04-04-14: Jea48
How much better will a $250K 2 channel audio system sound than a $50K system? Five times better? How about twice as good? Or maybe only 5% or 10% better?

My vote would be for the latter choice, 5-10% improvement. Of course I have not compared a $50K system to a $250K system, my answer comes from comparing a $20K system to a $120K system.
IMHO, to even be twice as good, the less expensive system must be defective or set up improperly. The law of diminishing returns hits very hard and very early in most things in life, including audio.
Yes Mt, I have several MAC HC's as well as the MAC source ones.
What I like about MAC is that it seems to sound at least good, if not great, on about anything.
My new to-go to is the Cullen Crossovers at about $200 bucks.
Very "blackgound" for any cable much less for that money.
There are factors in $250k system that can be easily mathematically diminished leaving just a coefficient which is probably $10k maximum assuming that $250k system mainly consists of overworked and overpriced products that have low return for the huge investment.
No need for magic and no need for science either -- open your school math book and just do ya math!