Reviews of $10k plus ics, speaker wires, and pcs

That is very easy to explain. Since I started working in this business I started to test. So I learned the differences between many different amps, sources, cables and speakers etc. After time you can give these tools the different properties they own.

These different properties have effect on the overwhole sound. Togheter they create the image, how much depth, wide, resolution, sound realism ( you want all the colours of an instrument as in real), level of blacks and how big instruments and voices are and there level of papable image ( as I told many times instruments and voices are extreme small in dimension and easy to point out. I learned it during classical acoustic concerts. So you want a realistic sense of scale in your set).

Audio is all about making the perfect combination of tools . ( amps, sources, conditioners, cables and speakers togheter). This is what I call the art of sound.

Last year I became aware how much higher level in endresult I can create to all other distributers on the show. There were far over 50 rooms with audio sets. I was called the absolute sound of the show. Why? Because I created what I call total sound. The blueprint of the absolute sound. This creates a very convincing overwhole sound.

I want all parts which need to be there for the absolute sound in every system. This makes it more complete and convincing.

Many of the other sets were incomplete. I have done many blind test for clients. As you know I only focus on 3 dimensional sound. For every single person it is very easy to understand the big difference between 2 and 3 dimensional sound.

When you are not aware of the exact properties of every single tool you use in your set, It is a lot more difficult to understand what you are doing.

I am Always looking for properties. I Judge every single part for the properties they can give. I don't sell a brand or box. I sell my sound, what I call Total sound.

The main focus is on the quality and level a tool can give to me. It is a different approach. But is extreme effective. It is a very addictive sound were you want to listen for hours at one time. This is what people want. A sound to die for!

Bo1972, more power to you if you can do this. The only convincing thing I ever hear at shows is demonstration of with and without a component. For example, I heard a demonstration of the Murata super tweeters. First they played nice speakers from Canada and then they removed the Muratas that were sitting on top of the speakkers. The image and holographic character of the sound vanished. Everybody said to put the Muratas back, which they didn't do. There was no music and several of us where pondering what we had heard. One guy finally said, "What do the Murata alone sound like?" The demonstrator said "You've been listening to them for five minutes." We all focused on the sound and heard no music at all as the Muratas have no output below 15k Hz. I bought a pair as did two others in the crowd.

I think that the sound at CES in the towers is the worst I've heard at any show, but the others are close behind. Maybe you should share your insights.

I have to admit that without Audyssey Pro I never would achieved the level I had. I was not the only one with roomacoustic systems. Other with roomacoustic systems used 2 dimensional products. It is always easy to win from every single 2 dimensional presentation.

Many people who work in this business still sell most of the time 2 dimensional sound. This is caused by the lack of knowdledge and skills.

On the dealer day many people who owned an audio shop came to me to ask how it is possible to achieve this. They were impressed by the authority and high level of a 3 dimensional physical image. I thought; what the f.. are they doing in all the years they are in this business. You have to keep on improving your knowledge and skills all the time. Time and technique goes on. So You need to improve!

No doubt modern tools for addressing room acoustics can be invaluable, if used correctly.

I suspect many high end vendors at shows would rather take a right hook shot from Jon Jones than introduce any external signal processing into their sterling systems that often sound less than spectacular due to room acoustics.

I applaud Bo for taking the bull by the horns and applying practical and effective solutions, rather than spinning wheels based on the often limited-vison mantra that is sinking high end audio, ie throw money at the problem as long as it comes from the customer.

OR maybe a teleportation tweak or two might still help. :^)

My wire is 13K hate the cheap stuff!!