Should Sound Quality of Computer Audio be improved


Unable to respond to, "Mach2Music and Amarra: Huge Disappointment"- Thread. Other Members take free pop-shots!
Apparently some have more Freedom Of Speech than others! I
don't know how many times I have said it, I want Computer
Audio to succeed! It will only succeed if Computers are designed from the ground up to reproduce Music (Same minimum standard applied for Equipment of ALL Audio Formats)! This is common sense Audio Engineering Design. Bandaid Modifications cannot be substituted for absence in design to produce Music! Design it right to EARN the right to become a New Audio Format- same as all other Audio Formats! No Freebee's, No Cutting Corners! Lack of design is what's causing such varied results in S.Q. between
listeners of Computer Audio. I see about 50% negative
responses here on these Threads. It will continue to happen unless you fix it! Blaming me won't help! I am an
Engineer, and I can read results! 50/50 success/ failure
rate- you have an inherit Engineering Design Flaw for the
reproduction of Music via Computers! Shock! Suprise- since
they were never designed for Music! So when is someone finally going to properly design the Equipment/Computer
(From the ground up) for Computer Audio? Do we continue
to treat any real criticism as "HERESY" in the lack of
design in Computer Audio for Music? You tell me what I am
allowed to talk about, and we will both know!
pettyofficer
Pettyofficer, I have to say, last post was pretty well written. I'm not sure how accurate all the studio info was, but point taken. The point that I cannot take is all the hype about the insecurity of all the other formats and writing it as though all of us want those formats to go away... any format that has merit, will stay. I really feel (no offense intended) that all EVERYONE is asking you is "why all the paranoia of formats failing"? We are all open minded toward other formats and as I had written previously, I believe anyone on this thread would try another if it had merit.
Hi PO,
for the first time so far I think I understand you.

Archiving historic tapes is one thing with DSD or even DXD. But no one is using it today to record with. I Know of pyramix as one of the only DXD workstations. Try finding a studio that uses it. Nearly all tracking these days is done via a DAW such as protools etc.

But why dont you understand that what ever recording process you use, it has to be stored, so it can be uploaded/downloaded? It's only a way to access the information. All you will need is the software to read it regardless of the size of the file and a vendor to get it from.
"Pettyofficer, I have to say, last post was pretty well written."

Well, maybe but formatting and 1 big run on paragraph is still an issue.

PO, if you can get the format for your digital posts down better that might help you in the credibility department when demonstrating your expertise in all things computer.

o -
^
\___/
Timlub- point well taken. It is not what you say, but how
you say it. "Soon all New Music will only be available as
Music Downloads" sounds like a dire warning. It screams
"Get rid of your SACD, MLP, DVD-Audio, Blue-Ray Audio, and
Vinyl. They will be gone. Your only access to New Music will be exclusively Music Downloads". "..Any Format that
has merit will stay"- doesn't quite jive with this. Selection in CD Resolution Music Downloads is certainly there. Selection in High Res. Music Downloads, is it there
to replace High Res. SACD/ MLP/ DVD-Audio/ and Blue-Ray
Audio? Is it there to replace Vinyl Selection? Do we lose
any Music Selection in switching over to "Soon all New Music will only be available as Music Downloads". To me
that is the most important part of "It is the Music that
Matters".
Not entirely sure that I got it right with DXD. I do
know that Sony Music has copied many of their Analog Master
Tapes to DSD. I do know that they are Remastering many of
these aging Music Releases in the digital domain. I am sure
that there will be mixed results. Not sure what the
Professional Studios are using these days for Recording.
I guess that the important thing is headroom. Having the
final Master of higher Resolution than the final copy,
Disk or Downloaded File. DXD will provide this since it is
stored as a File with many times more resolution at much
higher Sampling Rate. Live Recordings were made to Master
Analog Tape, I am certain the same will be done with New
Music in DXD- if it is not already being done. How will
limiting us to 24/192 Downloads eventually be affected by
DXD- I have no idea! I am pretty damn certain that the
Software for DXD will be really protected. How long that will last- I don't know! I did find a Studio here in
Seattle real close that uses DXD. I don't believe that it is the only one in the Country that uses it. I think that
the Motion Picture Industry is using DXD in Mastering their
Soundtracks- don't quote me on that. DXD could really take off in New Music Rcordings. New Music could certainly
benefit. Old Master Analog Recordings Remastered in DXD
might benefit based on how well it is Remastered. I
wouldn't necessarily chuck the Vinyl yet. I still think that high Sound Quality would thrive better if more variety in Formats is used- within reason. Reasonable
people can disagree.
Wow Petty - looks like the light bulb finally came on. No reasonable person is trying to wipe out any format. Whether or not I listen to SACD I derive absolutely no benefit from it being wiped off the face of the earth. I do believe that eventually optical discs may be a thing of the past but this doesn't mean I wish it to be so. I still buy the odd CD from time to time - and tons of vinyl.

Anyways, looks like cooler heads have prevailed. Surely the love-fest can't be far behind!

Enjoy the music - on whatever format you choose!