The LS16 is not going to do much over what you have right now.
I have said so much on this site on the LS5 so I will simply say that with the VT130 for which I also owned and ran with, the LS5 was an awesome match....especially with the VT130 loaded up with KT88's. The LS5 does come with an optional remote for volume and this works mighty fine.
As for the LS5 having only balanced ins/outs, since your VT130 only has balanced inputs, this is not an issue. And just about every source out there today has XLR outputs....some of which are truly balanced. I liked the LS5's all-balanced topology since it did not have all those klugey circuits to convert to/from single-ended which results in sonic degradation.
If you are seeking something in the $1800-2300 range, the LS5 II/III has no peers IMO. The Ref1 is way over priced and for all the LS5 owners I knew that also auditioned the Ref1, we all kept our LS5 II's and III's.
I did not hear the Ref 2 Mk I but this was the last ARC line stage to use the 6922 and this just may be worth hunting down. And then look into dropping Mullard 6922 tubes in this. Wow, could be mighty good! Whatever you do, if you end up with a 6922 tube-based model, donate the Sovtek tubes to charity. They put a most un-natural bite and fatigue to the sound. And no amount of circuit design or correction can resolve this whether it is an ARC, CAT, Aesthetix, etc., product.
John
I have said so much on this site on the LS5 so I will simply say that with the VT130 for which I also owned and ran with, the LS5 was an awesome match....especially with the VT130 loaded up with KT88's. The LS5 does come with an optional remote for volume and this works mighty fine.
As for the LS5 having only balanced ins/outs, since your VT130 only has balanced inputs, this is not an issue. And just about every source out there today has XLR outputs....some of which are truly balanced. I liked the LS5's all-balanced topology since it did not have all those klugey circuits to convert to/from single-ended which results in sonic degradation.
If you are seeking something in the $1800-2300 range, the LS5 II/III has no peers IMO. The Ref1 is way over priced and for all the LS5 owners I knew that also auditioned the Ref1, we all kept our LS5 II's and III's.
I did not hear the Ref 2 Mk I but this was the last ARC line stage to use the 6922 and this just may be worth hunting down. And then look into dropping Mullard 6922 tubes in this. Wow, could be mighty good! Whatever you do, if you end up with a 6922 tube-based model, donate the Sovtek tubes to charity. They put a most un-natural bite and fatigue to the sound. And no amount of circuit design or correction can resolve this whether it is an ARC, CAT, Aesthetix, etc., product.
John