Don't worry about the forum thing too much. If in fact you are looking for advice that's that technical let me add something about pushpull and triode v. ultralinear. B/c of the suppressor grid on the EL34, you could say that usually it sounds better in ultralinear and as someone stated, peppier. It has to do with that supressor grid, electron cloud, maximum plate voltage thing; you can probably see how. The get up to a plate voltage, max out, and output constantly at that level (no overdriving like on guitar amps, as far as I know; someone correct me if I'm wrong on this one, but it's what I've been led to understand). This is why you see EL34 amps that are *specifically* balanced designs in ultralinear more of the time than with octals like KT88's; it's about creating a really super standardized power envelope for ultra-reliable bandwidth and no power spikes or dips base on load. The KT88/66/6550's sound better in triode for the most part because you kind of rev the plate voltage up as high as you can in Class A, with no cut off; not real efficient, and can lead to clipping, but that's why they sound purer. If you have transformers that can handle it, you get the benefits of Class A and the extra bit of bandwidth from a single ended design. Single ended like RCA plug vs. balannced plugs, where with balanced all the interconnects are grounded. Not single ended like a single ended tube design vs. a pushpull design; two totally different things. I'm surprised how often I see that particular confusion even in reviews. I've said this on another forum, but I'll say it here too: it's the difference between the sound of Sun Studios say (the EL34 camp) and like a great Verve recording (the KT88 camp), though not maybe as clear cut as rock vs. jazz.