Where are the full-function preamps?


Vinyl almost died after the launch of CDs, but today the popularity of vinyl playback is on the rise. Music stores are selling more music available on LPs, and many audiogon systems include turntables.

So where are the full-function preamps?

Before digital, preamps were used to amplify low level signals like tape and tuners, and amplify and equalize phono signal inputs. They also had funtionality for input selection and volume control. After the launch of CD, phono inputs became optional in preamps as demand for LP playback fell. Now, there are many systems with only a single high-level digital input. Yet line stages are still considered essential by many. Why, unless the system is poorly designed and implemented?

The standard recommendation is for outboard phono units. Of course, this means at least one more set of interconnects. And some phono units need an outboard step-up transformer for sufficient gain with low-output (<0.5 mv) cartridges. And this means another set of interconnects, in an application (between transformer output and phono stage input) where the wire has a huge detrimental effect on the signal. The trend is for more equipment, requiring more ancillaries like power cords, interconnects and line filters, and more shelf space. And is this resulting in improved performance?

Why aren't consumers and LP enthusiasts lobbying for full function preamps to better serve our interests? And why aren't manufacturers, dealers and reviewers taking the lead by discussing this topic? There are a few exceptions that come to mind (CAT, Shindo, Supratek) but for the most part, we have few commercial preamps that properly serve vinyl playback.
skushino
There are still many options of full function preamps out there (new and used) at almost all price categories, my favourites are CAT, Audible Illusions and Thor.

ENjoy!

Fernando
Add Jadis to the list too; their phono stages on the JP80 and JP200 are among the best.

I think you can explain the trend to separate phono stages cynically (hey, we already have the chasis from our line stage, now we can make more money selling a separate phono stage using that chasis) or on the perfectionist bent of the best designers, who recognize that in a no-holds barred design keeping the sensitive amplification of very low-level signals away from the line stage's power supplies and giving this stage its own power supplies is preferable to housing that stage in one chasis. I think the latter is more the case with the majority of the high end designers; I think that they believe that the vinyl lovers would likely prefer a higher level of performance from their equipment. Add to that the trend to make separate line stages that started with the rise of CD player sales, which would make designing a good phono stage to fit into that box a bit more difficult than designing one from scratch in its own box. Anyway, I think that may be an explanation, but as the above posts have pointed out, there are still plenty of excellent full-function preamplifiers out there.
Mark Levinson also offers a full-funcion option in their current models. And Porziob has it exactly wrong, except of course by his own agenda. No bottom-line incentive? Yeah, that explains the probably hundreds of firms catering to this market. Vinyl playback is alive and well within the high-end segment, and if preamps are offered with phono capability as an extra-cost option, even his digital panties have absolutely no reason to get in a twist.