Lightspeed Attenuator - Best Preamp Ever?


The question is a bit rhetorical. No preamp is the best ever, and much depends on system context. I am starting this thread beacuase there is a lot of info on this preamp in a Music First Audio Passive...thread, an Slagle AVC Modules...thread and wanted to be sure that information on this amazing product did not get lost in those threads.

I suspect that many folks may give this preamp a try at $450, direct from Australia, so I thought it would be good for current owners and future owners to have a place to describe their experience with this preamp.

It is a passive preamp that uses light LEDs, rather than mechanical contacts, to alter resistance and thereby attenuation of the source signal. It has been extremely hot in the DIY community, since the maker of this preamp provided gernerously provided information on how to make one. The trick is that while there are few parts, getting it done right, the matching of the parts is time consuming and tricky, and to boot, most of use would solder our fingers together if we tried. At $450, don't bother. It is cased in a small chassis that is fully shielded alloy, it gets it's RF sink earth via the interconnects. Vibration doesn't come into it as there is nothing to get vibrated as it's passive, even the active led's are immune as they are gas element, no filaments. The feet I attach are soft silicon/sorbethane compound anyway just in case.

This is not audio jewelry with bling, but solidly made and there is little room (if any) for audionervosa or tweaking.

So is this the best preamp ever? It might be if you have a single source (though you could use a switch box), your source is 2v or higher, your IC from pre-amp to amp is less than 2m to keep capaitance low, your amp is 5kohm input or higher (most any tube amp), and your amp is relatively sensitive (1v input sensitivity or lower v would be just right). In other words, within a passive friendly system (you do have to give this some thought), this is the finest passive preamp I have ever heard, and I have has many ranging form resistor-based to TVCs and AVCs.

In my system, with my equipment, I think it is the best I have heard passive or active, but I lean towards prefering preamp neutrality and transparency, without loosing musicality, dynamics, or the handling of low bass and highs.

If you own one, what are your impressions versus anything you have heard?

Is it the best ever? I suspect for some it may be, and to say that for a $450 product makes it stupidgood.
pubul57
Is it the case that one a digital volume control is fully open, no attenuation, there is no loss in resolution? That was my understanding, but I am not technically proficient.
Yes, if the control is wide-open, or at least above a certain level, there is no loss in resolution. Assuming you were able to use/keep the DVC at a level above which there was no loss in resolution, would there be a benefit in using the LSA?
I would think so, as in essence a fully open ouput with a variable output CD player would be the same (I think)as a regular CD player with a fixed output and you would be controlling volume with a superior attenuator than what is built into the CD/DAC. That is what I think, but I would rather have someone more technical pipe in.
You are right Pubul57, the momment you start to lower a digital based volume control, you start to whats called "bit strip" the name says it all, and this lowers the resoution. Aways leave it full up when using in conjuction whith the Lightspeed.
But also be carefull some dac's and cdp's have analog based volume controls and these are usually sub grade passive motorized or non-motorized on the output of the cdp or dac. Most times you have also fixed ouput rca's as well on these cdp/dac, always better going for it and a Lightspeed than the analog variable output. If there are no fixed ouput rca's, better to open it up and bypass the passive pots by taking them out of the output totaly.
Cheers George
Yes the idea of an active preamp, or in the case of The Truth preamp, a buffered passive, the idea is to control the ICs. However, in unbalanced designs its my understanding that while this might provide some benefit to using longer runs (ex. you can use 30 ft. ICs with the Truth with no sonic degradation), it doesn't mean that the coloration/artifacts of the cable itself can't be heard.

I've convinced my tech here to design a passive balanced preamp that supports the 600 ohm standard. If I use this with my Atma-Sphere S-30 I should be able to eliminate the cable coloration/artifact from the equation.