Good stuff Guido. Ultimately you'll need to explore the Continuum vs. the 312/Capri setup. Hopefully I'll be able to do that for myself very soon.
I've now heard the Capri driving Mahlers through a 312 and the DALI Helicon 400.Mk2 through the 501s. It's a stunningly open, transparent and smooth preamp in those applications. In neither case did we have a PC1 in the loop. Still, it's wonderful to hear your comparison to a reference like the Ref 3.
The DALI in particular could be hard on a preamp, given its very extended top end. You really hear the fingers on strings and breath-taking of singers and any edge on a voice or instrument with the DALIs. (The tweeter module has both a ribbon and dome drivers). Never was I uncomfortable with any material, even played at pretty high levels. With the Capri I heard these high extensions as delicacy, not hardness.
Dave
I've now heard the Capri driving Mahlers through a 312 and the DALI Helicon 400.Mk2 through the 501s. It's a stunningly open, transparent and smooth preamp in those applications. In neither case did we have a PC1 in the loop. Still, it's wonderful to hear your comparison to a reference like the Ref 3.
The DALI in particular could be hard on a preamp, given its very extended top end. You really hear the fingers on strings and breath-taking of singers and any edge on a voice or instrument with the DALIs. (The tweeter module has both a ribbon and dome drivers). Never was I uncomfortable with any material, even played at pretty high levels. With the Capri I heard these high extensions as delicacy, not hardness.
Dave