Opinions of the EMM DCC2 SE


I am seriously considering changing my analog linestage with built in phono amp to a digital linestage with built in DAC. The EMM DCC2 SE seems like a worthy successor to my HP 200 MC. Any thoughts or caveats would be appreciated.
khrys
the DCC2SE has TWO ANALOG INPUTS- one rca and the other xlr.
i bought a pair of cardas xlr-male to rca female ($65) so i could use both. the preamp is crystal clear but it lacks the last bit of musicality- my terms in this case would be "body" or "palpability", arguably stupid descriptions for something i can't quite describe. but something is bleached out of the mix, and i don't use tubes. a rowland consummate preamp (an ancient piece of junk, right?- not!) provided a more pleasing sound- although slightly less detailed, and a touch more grain.
i am biased towards the rowland sound though. i haven't heard the hovland, but i think from the reviews on it, that it is ultimately way-noisier than the DCC2-SE, unlike the newer tube-designs that have a much-improved noise-floor.
EMM should make a stand-alone 2-channel dac just like they finally came out with a stand-alone cd player. but you could always spring for a dac-6e (the non-se would be pretty good also, and inexpensive these days), and just use the 1st two outputs.
I found the emmlabs dcc2 se was an impressive line stage that was almost as good as the audio research ref 3 when paired with my dartzeel amplifier. I sold it only because I wanted the dartzeel preamplifier which has a special synergy with the dartzeel amplifier which in combination outshines the emmlabs preamp handily.

Michael
I have to agree with Radioheadokplayer. I too own the DCC 2SE but wondered if I could do better pre-amp wise so I bought a Ref. 3 to try out. Real close. Ref. 3 a hair better but sold it as it wasn't THAT much better. The Ref.3 is very neutral for a tubed unit. It all depends on what you want and of course what the rest of your system consists of.
The pre-amp section in the DCC 2 is basically the same as the EMM Switchman which is used in many recording studios. I also owned the switchman 3 and is one of the best SOLID STATE pre-amps. You can beat it but will have to spend alot of $$ to do so.

Frank
Thanks for your responses, all most helpful.

Goatwuss, your question regarding "problems" with the sound of my Hovland is most salient. It is a great preamp falling sonically somewhere between a Jadis JP 80 MC and an ARC Ref 3. As French_fries has noted, its noise-floor has currently become an issue since I began using YG speakers whose accuracy, neutrality and transparency I now find the benchmark to which I want my other components to adhere.

For me it has become the reverse Ivor Tiefenbrun syndrome. To my surprise I have found that the extraordinary accuracy of YG speakers is best complemented by equally accurate components rather than "compensatory" romantic alternatives.

Not that I mind "euphonics", but think I'm moving beyond that.
But I do intend to add more digital sources to my system.

The Boulder 1012 preamp with integral phono stage and DAC also interests me and I would be appreciative of opinions of that unit as well.

For the record, I am now running YG Anat Reference II Studios which have surely ignited this not unwelcome dilemma.