The problem is that the current regime of test and measurements is not based on human hearing/perceptual rules except in some very basic, almost vestigial ways (such as frequency response).
As a result sometimes the specs are counterintuitive; for example ultra low distortion should come off as neutral and good, but often in reality sounds dry and slightly on the bright side.
The idea behind the specs is to know you are buying quality- it should be borne out on the bit of paper. But until that bit of paper is designed to agree with how human perceptual rules work (and mind you, this has nothing to do with taste or preference) the paper can often wind up nearly meaningless.
So as others have wisely pointed out, you simply have to audition it to know if you will be able to live with it. The fact that this has been true for the last 50 years should really speak to how poorly bench specs sit with human hearing rules.
As a result sometimes the specs are counterintuitive; for example ultra low distortion should come off as neutral and good, but often in reality sounds dry and slightly on the bright side.
The idea behind the specs is to know you are buying quality- it should be borne out on the bit of paper. But until that bit of paper is designed to agree with how human perceptual rules work (and mind you, this has nothing to do with taste or preference) the paper can often wind up nearly meaningless.
So as others have wisely pointed out, you simply have to audition it to know if you will be able to live with it. The fact that this has been true for the last 50 years should really speak to how poorly bench specs sit with human hearing rules.