Bombaywalla,
You are correct the Maggies are a relatively benign load in terms of current requirements; as long as the amp is comfortable into 4 ohm loads, there shouldn't be a problem. What you are forgetting is that Maggies do suffer from dynamic compression that gets worse the harder you push them. Your calculations would be correct if they were linear, but they are probably suffering from 2-6 dbs of compression in the mid 90 db range.
My experience with my 2.7s was that with 200 watts behind them, they were completely underwhelming. When I borrowed a friends older Yamaha M80 amplifier (330w/ch) I flat out would run it out of power, the VU meters would light up like a Christmas tree in Times Square. It was only when I bought an Adcom GFA-5500 (350w/ch with 1.7 db of headroom i.e. 500 a side on peaks) that they started feel better. Even with the Adcom, I would light up the clipping lights on loud passages. I ultimately ended up with a Sunfire Stereo (600 per side) and if I could swing it would go to the signature version at 1200 per side. This was all in a 14 x 17 foot room.
The x.150 puts out 300 watts/ch into a 4 ohm load, which as others have said is not adequate from their experience. My experience says that 300 watts/ch in a smaller room wasn't adequate, so I have no reason to believe it would be in a larger room.
The article you cite in Stereopile sums it pretty well when the review says "Another consideration is that although the 3.6/R is a benign loadmainly resistive and a fairly flat 4 ohmsat 86dB/2.83V/m theyre not terribly sensitive. The VAC Renaissance 70/70 is an unusually strong 70W amp, but wasnt really enough to make the Maggies sing. The Mark Levinson No.20.6s, VTL Ichibans, and Classé CAM-350s all did better jobs of resolving low-level dynamics and detail, and opened up the soundstage noticeably. I spent time with all three, but ended up preferring and doing most of my listening with the Classé monoblocks, which are rated as delivering 700Wpc into the Maggies 4 ohm load."
You are correct the Maggies are a relatively benign load in terms of current requirements; as long as the amp is comfortable into 4 ohm loads, there shouldn't be a problem. What you are forgetting is that Maggies do suffer from dynamic compression that gets worse the harder you push them. Your calculations would be correct if they were linear, but they are probably suffering from 2-6 dbs of compression in the mid 90 db range.
My experience with my 2.7s was that with 200 watts behind them, they were completely underwhelming. When I borrowed a friends older Yamaha M80 amplifier (330w/ch) I flat out would run it out of power, the VU meters would light up like a Christmas tree in Times Square. It was only when I bought an Adcom GFA-5500 (350w/ch with 1.7 db of headroom i.e. 500 a side on peaks) that they started feel better. Even with the Adcom, I would light up the clipping lights on loud passages. I ultimately ended up with a Sunfire Stereo (600 per side) and if I could swing it would go to the signature version at 1200 per side. This was all in a 14 x 17 foot room.
The x.150 puts out 300 watts/ch into a 4 ohm load, which as others have said is not adequate from their experience. My experience says that 300 watts/ch in a smaller room wasn't adequate, so I have no reason to believe it would be in a larger room.
The article you cite in Stereopile sums it pretty well when the review says "Another consideration is that although the 3.6/R is a benign loadmainly resistive and a fairly flat 4 ohmsat 86dB/2.83V/m theyre not terribly sensitive. The VAC Renaissance 70/70 is an unusually strong 70W amp, but wasnt really enough to make the Maggies sing. The Mark Levinson No.20.6s, VTL Ichibans, and Classé CAM-350s all did better jobs of resolving low-level dynamics and detail, and opened up the soundstage noticeably. I spent time with all three, but ended up preferring and doing most of my listening with the Classé monoblocks, which are rated as delivering 700Wpc into the Maggies 4 ohm load."