Summertime ss amp Question


My wife has finally decided that the superb Atma-Sphere MA-2 is too hot for summer and she cant listen to it without getting an ice bath in the room. But one doesnt part with a Gem of this magnitude, so I will buy an SS amp for summer only.
Need at least 150 WPC into 4 ohms (SP Tech Revs III sens 88 db), XLR inputs,(preamp Atma-sphere MP-1) fit into 17 X 8 X 19 inch space in Stereo closet and run cool, budget under $2K used. Looking at Innersound esl-300, Cary CAD-200 currently on A'gon. Suggestions, please. Thanks.
springbok10
Elizabeth, I have enough trouble edging my 6 foot SP Techs further and further from the wall whenever she's out without having a hood and duct to totally freak her out! Get real:) The MA-2s already occupy a coffin-like enclosure along an entire wall. No, a neat little ss box locked in the cupboard with the pre-amps, CDP and tuner is the ticket here. Unfortunately.
Wow those look hot. Do you get any ball rash mid summer?

Why not look at Luxman 800 or Esoteric A-03. These will at least compare to what you have even though they are above your range.
Check out McIntosh's MC7100 power amp, 100 wpc @ 8 ohms, 150 wpc @ 4 ohms, THD @ .005 maximum. I have one, and it runs so cool and would be perfect for your needs. AND it's a great sounding amp. The later models like mine, have balanced/unbalanced inputs, to boot! No meters, or autoformers. Currently they can be had for about $700 or less.
Rleff:

I did, yes. Assuming your question goes to the differences between battery power and wall power, I had 20 amp dedicated lines and battery power was still the way to go. The batteries, even in a highly resolving system, brought no improvement at normal listening levels. It was only during very demanding orchestral passages that the batteries showed their worth - because they provide a very low-noise power supply, the crap/grunge that would normally find its way into the signal path, and which gets amplified very audibly at high volume, is largely absent. The effect is a sense of more natural dynamic range, even though the batteries actually lower available peak wattage. The benefit is also audible with cleanly recorded rock played back at high volume, but mostly, the batteries are for people who are very serious about the playback of orchestral music.

The Rowland Model 2 and 6, if run from batteries and run balanced (i.e., with fully differential balanced source components and preamp) in a well-assembled system, offer some of the very best performance available from solid-state. I sold my Model 6's several years ago (my current amps are a darTZeel solid-state amp and VAC Renaissance 70/70 Mk. III triode tube amp), but have been running a Rowland Coherence II battery-powered preamp in my main system for seven years now.