Extraordinary recordings on vinyl

AAAAh. DID you attend the Frost School of Music at the University of Miami ?

I did; as a matter of fact.

Tubegroover, I think there is truth in your association. 50's era jazz recordings do tend to have "a sound" that is different from many modern jazz recordings; in great part a result of minimalist micing. This resulted in a greater sense of ambient connection between the players and more tonal complexity in the sounds captured; even if the overall sound was not as slick and polished as many modern recordings which tend to cause the listener to focus more on the "impressive" sound and less on the music. IMO.

Anybody here ever listen to Roy Harper's Stormcock? It is an acquired taste, and doesn't "Wow" you on first listen, musically. But it is just superb, musically and sonically. I'm not really sure how rare the early Harvest UK pressings are; mine is sans the EMI indicia on the record label, so it is probably a first pressing. It is the sort of record that just sucks you in on further listening. Be interested to know if others are familiar with it, and what their views are, musically.
What's funny is, I'd hardly name this as a "favorite' album, but it one of the first ones that came to mind when I saw this thread.

Palasr,
I have the WB Original pressing and will give it a spin this weekend to see if the Soundstage is as good.

Jeff1225: Have you heard the (deluxe version)? The original release was a major disappointment. I was on the fence about recommending this (deluxe version) based on how awful the original release sounded but I made the decision to include it after repeated listens. Compared to the Nat King Cole lps I noted, there's no comparison but for a modern rock record, this one (deluxe version), stays on my list.