Adding tubes to SS system-Tube Preamp Amp or Int?

Hello Nuck, I can only speak to my system and my tastes in music and all of the above comments have merit. I have a pair of Parasound JC-1s fed by a Herron Audio VTSP-3A tube preamp and a Herron Audio VTPH-2 tube phono stage and the synergy between the preamp and JC-1s is excellent. I have always preferred a tube pre in front of a SS amp. Just my tastes and opinion.
Violin

NNck,

As I understand your setup, you need a tube linestage (instead of a buffer) because you need the volume control. Does the signal then get passed back and through the JC2 circuitry so that the HT passthrough is acting sort of like an external processor loop?

I think you could have some interesting fun trying different tube gear in such a loop, but, it is hard to predict the result with ANY given component and, while you might get some idea of what tube gear sounds like, the reasonable conclusions you could draw from that experience would be somewhat limited.

First, more than solid state gear, I think there is a HUGE difference between different brands/types of tube gear. My system is currently tube-based and I suppose I would be considered a tube person, but, MUCH of the high end gear I least like are tube-based. There is a truly striking difference in sound between, for example, the VTL/Audio Research/BAT sound and the sound of Audionote/Shindo/Kondo gear. There is nothing much in common between the sound of low-powered single-end triode tube amplifiers and a pushpull pentode amp using 6550 output tubes.

To add to the complication, compatibility is harder to achieve with tube gear. On paper, it is much harder to match a tube amp to a variety of speakers (power needs are harder to meet, low speaker impedance may not work well with high output impedance of many tube amps, etc.), it would seem to make sense to do what you are proposing, which is to introduce tubes at the line level. But, in my own experience, even when a tube linestage is supposedly electrically compatible with a particular solid state amp (i.e., low enough output impedance from the linestage), the actual practice is quite wildly unpredictable. So, it comes down to actually trying a combination--I would never try to predict the results. I have gotten more predictable results with solid state linestages feeding tube gear than the other way around. I am not saying tubes feeding solid state doesn't work, I am saying the results are unpredictable, and more often than not, you will not get "the best of both worlds" but something disappointing. If that happens, don't give up or draw any conclusions about tubes.

I do like your idea of at least trying tube gear in the chain. If by chance or by experimentation you hit upon a nice sounding combination that would be great. But, by no means can you then conclude you are enjoying what others consider the "tube" sound. It would be just one of many aspects of "tube" sound.

Be forewarned that it may then set you on a path to trying other tube components, and perhaps, trying different tubes in each tube component. Again, there are vast arrays of different sound that one can get by changing tubes.

The question asked by the OP was which method would provide more of the tube sound/experience. In my experience the tube power amp will have the greater impact of imparting tube character given the critical mating with the choosen speakers. I`ve found that a tube preamp tends to be more chameleon like within a system unless it has overt sonic colorations(which the better ones don`t)

What Tgrisham said.
If you have speakers that would do well with tubes, I would recommend a tube amplifier. IMO, this is where more of the 'tube sound' comes from, but by no means is it that cut and dry.
If your speakers are designed for SS then I would recommend a tube preamplifier.

I know that for me there was no contest. The tube power amp provided the tube magic . I had tried the tube front end solutions but none of them did what the tube power amps did. Not a tube preamp, nor a tubed CD, player could came close to the effect that a tube power amp had. I understand that the real purpose of a tube buffer is to improve impedance matching and not to introduce a tube "signature" on the sonic.
Except for Micheal/Sufentenil, I am in that minority opinion but I am emphatic about that position. I am inviting your disapproval but I think anyone who has actually tried a tube power amp instead of just noting that their tube preamp made some difference would immediately realize that the tube power amp is far and away the most important factor in achieving the tube difference.
If the OP really wants to get the exaggerated droopy sluggish rolled off tubeyness typical of the unrefurbished golden age HI FI tube amps, then all he need do is buy one- for relatively little I might add. That sound is still incorrectly held by many as being the essential benefit of using tubes. It is not. The modern tube amp does not limit top end but conversely "sparkles" as my friend Trelja would say. The reason it appears to sound smoother is that it does not suffer the edgy, hashy, or gritty distortion which is more typical of SS. I am told the SS distortion is odd order whereas the tube distortion which while greater, is even order and percieved as pleasant. The real benefit however the incredible dimensionality that modern tube power amps yield, it is really 3D magic.
I agree that the tube amp bass can be looser and that low impedance highly reactive loads work well with every tube amp. Some will not be a good match with every speaker. However there are enough good speaker manufacturers aware of the popularity of tube amps that offer compatible products.
End of rant.