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I am satisfied with what I have done on the Line Stage side ( Mullard EL 37 - Philips Miniwatt / Mullard GZ 34 Miniwatt and Tungsol Black Glass Round Plate 6sn7) for my Cortese and want to do the best I can with the tubes for the phono stage side before my first TT (in twenty five years) arrives in mid to late June.
I would love to hear your favorite complement of tubes for the phono stage on either the Syrah or Cortese. I will be receiving a Teres 340 and will match it with a Graham 2.2 and Koetsu Rosewood Signature Platinum and am clueless on what to do on the tube side.
Musicality and an emotive sound are my priorities. I would hope for some good detail and solid bass in that order, but not at the expense of the musicality.
I mostly listen to classical (orchestral, chamber music and concertos) , female jazz vocalist and some occasional classic rock.
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Any help would be greatly appreciated from our Cognoscenti.
.
I am satisfied with what I have done on the Line Stage side ( Mullard EL 37 - Philips Miniwatt / Mullard GZ 34 Miniwatt and Tungsol Black Glass Round Plate 6sn7) for my Cortese and want to do the best I can with the tubes for the phono stage side before my first TT (in twenty five years) arrives in mid to late June.
I would love to hear your favorite complement of tubes for the phono stage on either the Syrah or Cortese. I will be receiving a Teres 340 and will match it with a Graham 2.2 and Koetsu Rosewood Signature Platinum and am clueless on what to do on the tube side.
Musicality and an emotive sound are my priorities. I would hope for some good detail and solid bass in that order, but not at the expense of the musicality.
I mostly listen to classical (orchestral, chamber music and concertos) , female jazz vocalist and some occasional classic rock.
.
Any help would be greatly appreciated from our Cognoscenti.
.