Unsound, The 3rd harmonic is one of the lower orders and is the only one considered musical with relation to the fundamental by the human ear. So Nelson's comment is spot-on.
When Crowhurst was writing, it was not generally understood at the time that the odd orders (above the 3rd) were the distortions that the ear finds unpleasant, although you will see Crowhurst refer to 'listener fatigue' with respect to the use of feedback. IOW he knew something was up, but some of the aspects of the human ear simply were not understood at the time.
Charles1dad, the DHTs are far more linear than tetrodes or pentodes. In fact all triode tubes (whether directly-heated or not) are quite linear, enough so that is is fairly easy to build an amplifier with them that does not need feedback. Triodes in general will generate distortion that favors the lower orders while the tetrodes and pentodes generate more distortion and also more of the higher orders and so tend to sound harsher, thus the need for feedback with them.
If you speak to almost any SET designer, they will likely tell you that the lower orders that their amps tend to make are not objectionable to the human ear, which is true. They do color the sound though- the ear hears distortion as tonality- so the lower orders contribute to the 'rich' or 'lush' sound of SETs.
When Crowhurst was writing, it was not generally understood at the time that the odd orders (above the 3rd) were the distortions that the ear finds unpleasant, although you will see Crowhurst refer to 'listener fatigue' with respect to the use of feedback. IOW he knew something was up, but some of the aspects of the human ear simply were not understood at the time.
Charles1dad, the DHTs are far more linear than tetrodes or pentodes. In fact all triode tubes (whether directly-heated or not) are quite linear, enough so that is is fairly easy to build an amplifier with them that does not need feedback. Triodes in general will generate distortion that favors the lower orders while the tetrodes and pentodes generate more distortion and also more of the higher orders and so tend to sound harsher, thus the need for feedback with them.
If you speak to almost any SET designer, they will likely tell you that the lower orders that their amps tend to make are not objectionable to the human ear, which is true. They do color the sound though- the ear hears distortion as tonality- so the lower orders contribute to the 'rich' or 'lush' sound of SETs.